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100AD Genuine Roman Britannia (England) Engraved Bronze Bracelet (Pendant+Chain)

CAD 119.19 Buy It Now 23d, CAD 19.85 Shipping, 30-Day Returns

Seller: ancientgifts (4,186) 99.3%, Location: Lummi Island, Washington, Ships to: Worldwide, Item: 122113917237 TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Your browser does not support JavaScript. To view this page, enable JavaScript if it is disabled or upgrade your browser. Click here to see 1,000 archaeology/ancient history books and 2,000 ancient artifacts, antique gemstones, antique jewelry! Genuine Ancient Roman (Province of Britannia) Engraved Bronze Bracelet with Criss-Crossed Hatch Mark Design Circa 0-100 A.D. Mounted free of charge as a pendant onto selected chains. Mounted onto plaque or shadow box upon request (additional shipping charges apply). CLASSIFICATION: Roman Britannia Bronze Bracelet. ATTRIBUTION: Roman Provincial Britannia, 1st Century A.D. SIZE/MEASUREMENTS: Outside Diameter: 48 x 47 millimeters. Inside Diameter: 41 1/2 x 40 millimeters. Band Width: 7 millimeters at top. Band Thickness: 4 1/2 millimeters at top. Weight: 22.79 grams. CONDITION: Fair. Quite substantial and well-constructed. Intact though fragile due to heavy porosity (surface pitting caused by contact with earth while buried). Professionally conserved. NOTES: Can be worn as a pendant. We will include the contemporary copper/bronze tone chain shown 60 centimeters (24 inches) in length. Other chains available on request; silver and gold plate; sterling, solid 14kt gold, etc., gold tone, silver tone, etc., in lengths from 16 to 24 inches. For a more authentic touch, we also have available handcrafted Greek black leather cords. DETAIL: An intact Roman bronze bracelet circa first century A.D. from the Province of Britannia. You can still see (with some difficulty) some of the complex engraving (a criss-cross hatch mark design) which survived the ordeal of burial for thousands of years. The engravings are very difficult to discern throughout most of the bracelet (except a little peek here and there), however they are quite clear and unmistakable near both tips/ends of the bracelet. The bracelet is a bit uncommon in that a cross-section would show the stock to be in a diamond shape, in essence square stock oriented on its edges (with soft corners). Most bracelets of this era and region were produced with round stock. This bracelet has very pronounced Celtic influences. The bracelet is not large, and would be unlikely to fit anyone today except a lady of very slight proportions. However given that ancient populations were considerably smaller than contemporary populations, would likely have been worn by an adult woman of the ancient Roman world. However in any event, the bracelet is relatively fragile, and it would have to be worn gently with care. Although one could wear the bracelet throughout ordinary daily activities, if one was planning on working on a car, running a lawn mover, operating a jackhammer, or playing football or rugby, one would be best advised to remove the bracelet first. A very hard blow could break it. But a little care, it could even be worn on a daily basis. As is ordinarily the case, the artifact exhibits substantial porosity (surface pitting caused by burial in earth). Unlike so many smaller bronze artifacts which are completely destroyed by corrosion, this particular piece is still complete and intact. However it clearly spent almost two thousand years in fairly corrosive soil conditions. You can see how corrosion/oxidation has sculpted the metal, the entire bracelet has been sculpted into a series of shallow scallops. The effect is not unappealing, it looks quite a bit like the nugget style bracelets which were so wildly popular in the USA in the 1960’s and 1970’s. Despite the substantial porosity, the bracelet remains intact and wearable if worn gently. The pebbled porosity does make it much more difficult to see the criss-crossed hatch mark engraved design which follows the circumference of the bracelet, and it is only reasonable distinct at the bracelet’s ends. The bracelet possesses a very rich tone and is quite handsome. It is a fairly elaborate style, especially with the engraved hatch mark design, workmanship which would be characteristic of high-end jewelry; and the bracelet was originally of fairly heavy construction. Although the “rich and famous” of course commissioned jewelry in silver and gold, nonetheless this is a fairly expensive piece, not the type of jewelry one would expect to find on the common Roman citizen. It is quite solidly built, a wonderful example of early Roman jewelry. Almost two thousand years after it was originally produced, it is still wearable, and so long as it was worn gently, it could bring many years of wearing enjoyment to a new owner. However inasmuch as it is too small for most anyone to wear (at least a contemporary adult), the bracelet could also be worn on a chain as illustrated. Worn as a pendant, it would make a very distinctive and uncommon piece of ancient jewelry. We would be happy to include the 24 inch copper/bronze tone chain depicted. When worn for a few weeks, the bright red-orange color would slowly fade to dark brown, and would (approximately) match the tone of the bracelet. Upon request, we also have other chains available in various metals from solid 14kt gold to sterling silver, as well as gold and silver electroplate, as well as gold or silver tone, in lengths from 16 inches to 24 inches in length. For a more authentic touch, and for a chain which would wear much more gently against the bronze metal bracelet, we also have available handcrafted Greek black leather cords. If you requested (follow the links below), we could mount the bracelet onto a framed display plaque (see it here), and it would make a great gift. The plaque narrates a brief outline of the history of ancient Rome along with an image of some very famous architectural remains in Rome. It would make a very handsome gift, for yourself or a friend, and would surely delight a son or daughter. It would not only make a very handsome display, but would be very educational as well. If you prefer, the bracelet could be installed within a glass-front shadow box with or without printed history (see it here). Despite all of its flaws, the bracelet remains a wonderful example of early Roman jewelry. Though you can clearly see pits where corrosive elements within the soil took “bites” out of the edges of the bracelet, and left the surfaces pitted and cratered, do keep in mind that this artifact spent almost two thousand years buried, and most such artifacts are going to bear mute testimony to the ability of the earth to oxidize (decompose) buried metal. The Romans were very fond of jewelry and other personal adornments. Typical jewelry included bracelets worn both on the forearm as well as upper arm, rings, brooches, pendants, earrings, hair pins, as well as decorative buckles and fibulae. Whether worn or displayed the bracelet is a significant artifact with respect to the history of ancient jewelry, and it is as well an evocative and authentic “souvenir” of the Roman Empire, the greatest military power, and one of the most advanced civilizations of the ancient world. ROMAN HISTORY: One of the greatest civilizations of recorded history was the ancient Roman Empire. In exchange for a very modest amount of contemporary currency, you can possess a small part of that great civilization in the form of a 2,000 year old ancient Roman artifact. The Roman civilization, in relative terms the greatest military power in the history of the world, was founded in the 8th century (B.C.). In the 4th Century (B.C.) the Romans were the dominant power on the Italian Peninsula, having defeated the Etruscans and Celts. In the 3rd Century (B.C.) the Romans conquered Sicily, and in the following century defeated Carthage, and controlled the Greece. Throughout the remainder of the 2nd Century (B.C.) the Roman Empire continued its gradual conquest of the Hellenistic (Greek Colonial) World by conquering Syria and Macedonia; and finally came to control Egypt in the 1st Century (B.C.) The pinnacle of Roman power was achieved in the 1st Century (A.D.) as Rome conquered much of Britain and Western Europe. At its peak, the Roman Empire stretched from Britain in the West, throughout most of Western, Central, and Eastern Europe, and into Asia Minor. For a brief time, the era of “Pax Romana”, a time of peace and consolidation reigned. Civilian emperors were the rule, and the culture flourished with a great deal of liberty enjoyed by the average Roman Citizen. However within 200 years the Roman Empire was in a state of steady decay, attacked by Germans, Goths, and Persians. The decline was temporarily halted by third century Emperor Diocletian. In the 4th Century (A.D.) the Roman Empire was split between East and West. The Great Emperor Constantine again managed to temporarily arrest the decay of the Empire, but within a hundred years after his death the Persians captured Mesopotamia, Vandals infiltrated Gaul and Spain, and the Goths even sacked Rome itself. Most historians date the end of the Western Roman Empire to 476 (A.D.) when Emperor Romulus Augustus was deposed. However the Eastern Roman Empire (The Byzantine Empire) survived until the fall of Constantinople in 1453 A.D. In the ancient world valuables such as coins and jewelry were commonly buried for safekeeping, and inevitably the owners would succumb to one of the many perils of the ancient world. Oftentimes the survivors of these individuals did not know where the valuables had been buried, and today, thousands of years later caches of coins and rings are still commonly uncovered throughout Europe and Asia Minor. Throughout history these treasures have been inadvertently discovered by farmers in their fields, uncovered by erosion, and the target of unsystematic searches by treasure seekers. With the introduction of metal detectors and other modern technologies to Eastern Europe in the past three or four decades, an amazing number of new finds are seeing the light of day thousands of years after they were originally hidden by their past owners. And with the liberalization of post-Soviet Eastern Europe, new markets have opened eager to share in these ancient treasures. HISTORY OF BRONZE: Bronze is the name given to a wide range of alloys of copper, typically mixed in ancient times with zinc, tin, lead, or arsenic. The discovery of bronze enabled people to create metal objects which were better than previously possible. Tools, weapons, armor, and building materials made of bronze were harder and more durable than their stone and copper predecessors from the “Chalcolithic” (the “Copper Age”), i.e., about 7000-3500 B.C., and the Neolithic (“New Stone Age”), i.e. about 12000 to 7000 B.C.). Of particular significance were bronze agricultural implements, tools for cutting stone, and weapons. Culturally significant was bronze statuary, particularly that of the Romans and Greeks. The ancient Greeks and Romans had a long history of making statuary in bronze. Literally thousands of images of gods and heroes, victorious athletes, statesmen, and philosophers filled temples and sanctuaries, and stood in the public areas of major cities. In fact, the Statue of Zeus at Olympia and the Colossus of Rhodes are two of the Seven Wonders of the Ancient World. Initially bronze was made out of copper and arsenic. It was only later that tin was used, becoming (except in ancient Egypt) the sole type of bronze in the late 3rd millennium B.C. Tin-alloyed bronze was superior to arsenic-alloyed bronze in that the alloying process itself could more easily be controlled, the alloy was stronger and easier to cast, and unlike arsenic, tin is not toxic. Toxicity was a major factor in the production of arsenic bronze. Repeated exposure to arsenic fumes ultimately led to nerve damage in the limbs. Evidence of the long agony of Bronze Age metalsmiths came down to the ancient Greeks and Romans in the form of legend, as the Greek and Roman gods of metalsmiths, Greek Hephaestus and Roman Vulcan, were both lame. In practice historical bronze alloys are highly variable in composition, as most metalworkers probably used whatever scrap was to hand. In one instance of ancient bronze from Britain, analysis showed the bronze to contain a mixture of copper, zinc, tin, lead, nickel, iron, antimony, arsenic, and silver. Other advantages of bronze over iron include that bronze better resists corrosion, particularly seawater corrosion; bronze resists metal fatigue better than iron; and bronze is a better heat conductor (and thus is better suited for cooking vessels). However ancient bronze, unless conserved properly, is susceptible to “bronze disease”, wherein hydrochloric or hydrosulfuric acid is formed due to impurities (cuprous chloride or sulfur) found within the ancient bronze. Traditionally archaeology has maintained that the earliest bronze was produced by the Maikop, a proto-Indo-European, proto-Celtic culture of Caucasus prehistory around 3500 B.C. Recent evidence however suggests that the smelting of bronze might be as much as several thousand years older (bronze artifacts dating from about 4500 B.C. have been unearthed in Thailand). Shortly after the emergence of bronze technology in the Caucasus region, bronze technology emerged in ancient Mesopotamia (Sumer), Egypt, the Indus Valley Civilization of Northern India, the Aegean, the Caspian Steppes (Ukraine), the Southern Russia/Central Mongolia Region (the Altai Mountains), the Levant (Eastern Mediterranean), Anatolia (Turkey) and the Iranian Plateau. By the late third millennium B.C. many Western European Bronze Age Cultures had emerged. Some of the more notable were the Celtic cultures of Middle Europe stretching from Hungary to Poland and Germany, including the Urnfield, Lusatian, and (Iron Age Transitional) Hallstatt Cultures. The Shang in ancient China also developed a significant Bronze Age culture, noted for large bronze burial urns. The ancient Chinese were the first to cast bronze (using the “lost wax” technique) about 2200 B.C. Prior to that time all bronze items were forged. Though weapons and utilitarian items were produced in great numbers, the production of bronze in ancient China was especially noteworthy for ornamented ritualistic/religious vessels (urns, wine vessels, water pots, food containers, and musical instruments), many of immense size. Britain’s Bronze Age cultures included the Beaker, Wessex, Deverl, and Rimbury. Copper and tin ores are rarely found together, so the production of bronze has always involved trade. Cornwall was one of the most significant sources of tin not only for Britain, but exported throughout the Mediterranean. Other significant suppliers of tine were the Taurus Mountains of Anatolia (Turkey), as well as Spain. Enormous amounts of copper was produced from the Great Orme mine in North Wales, the island of Cyprus, the European Alps, and from the Sinai Peninsula and other nearby sites in the Levant. Though much of the raw minerals may have come from Britain, Spain, Anatolia, and the Sinai, it was the Aegean world which controlled the trade in bronze. The great seafaring Minoan Empire (about 2700 to 1450 B.C.) appears to have controlled, coordinated, and defended the trade. Tin and charcoal were imported into Cyprus, where locally mined copper was mined and alloyed with the tin from Britain. Indicative of the seafaring trade in the Eastern Mediterranean, a shipwreck from about 1300 B.C. off the Turkish coast revealed a ship carrying a ton of copper ingots, several dozen small tin ingots, new bronze tools, scrap metal, and a blacksmith's forge and tools (along with luxury trade goods from Africa). It appears that the Bronze Age collapsed with the fall of Minoan Empire, to be replaced by a Dark Age and the eventual rise of the Iron Age Myceneans (on mainland Greece). Evidence suggests that the precipitating event might have been the eruption of Thera (Santorini) and the ensuing tsunami, which was only about 40 miles north of Crete, the capital of the Minoan empire. Some archaeologists argue that it was Santorini itself which was the capitol city of the Minoan World. However where Crete or Santorini, it is known that the bread-basket of the Minoan trading empire, the area north of the Black Sea lost population, and thereafter many Minoan colony/client-states lost large populations to extreme famines or pestilence. Inasmuch as the Minoans were the principals of the tin/copper shipping network throughout the Mediterranean, the Bronze Age trade network is believed to have failed. The end of the Bronze Age and the rise of the Iron Age is normally associated with the disturbances created by large population disruptions in the 12th century B.C. The end of the Bronze Age saw the emergence of new technologies and civilizations which included the large-scale production of iron (and limited scale production of steel). Although iron was in many respects much inferior to bronze (and steel was inefficiently produced in very limited quantities), iron had the advantage that it could be produced using local resources during the dark ages that followed the Minoan collapse, and was very inexpensive when compared to the cost of producing bronze. Bronze was still a superior metal, resisting both corrosion and metal fatigue better than iron. And bronze was still used during the Iron Age, but for many purposes the weaker iron was sufficiently strong to serve in its place. As an example, Roman officers were equipped with bronze swords while foot soldiers had to make do with iron blades. Pliny the Elder, the famous first century Roman historian and naturalist, wrote about the reuse of scrap bronze and copper in Roman foundries, noting that the metals were recast as armor, weapons or articles for personal use, such as bronze mirrors. The melting and recasting foundries were located at the Italian port city of Brindisi. Located on the Adriatic coast, Brindisi was the terminus of the great Appian Way, the Roman road constructed to facilitate trade and military access throughout the Italian part of the Roman Empire. The city was the gateway for Roman penetration into the eastern parts of her empire (Greece, the Eastern Mediterranean, the Black Sea Region, the Danubian Provinces, and eventually Mesopotamia). Domestic shipping (insured first class mail) is included in the price shown. Domestic shipping also includes USPS Delivery Confirmation (you might be able to update the status of your shipment on-line at the USPS Web Site). Canadian shipments are an extra $14.99 for Insured Air Mail; International shipments are an extra $18.99 for Air Mail (and generally are NOT tracked; trackable shipments are EXTRA). ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per item so as to reward you for the economies of combined shipping/insurance costs. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. We do NOT recommend uninsured shipments, and expressly disclaim any responsibility for the loss of an uninsured shipment. Unfortunately the contents of parcels are easily “lost” or misdelivered by postal employees – even in the USA. If you intend to pay via PayPal, please be aware that PayPal Protection Policies REQUIRE insured, trackable shipments, which is INCLUDED in our price. International tracking is at additional cost. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. We will accept whatever payment method you are most comfortable with. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked return policy. Send it back, I will give you a complete refund of the purchase price (less our original shipping costs). Most of the items I offer come from the collection of a family friend who was active in the field of Archaeology for over forty years. However many of the items also come from purchases I make in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) from various institutions and dealers. Though I have always had an interest in archaeology, my own academic background was in sociology and cultural anthropology. After my retirement however, I found myself drawn to archaeology as well. Aside from my own personal collection, I have made extensive and frequent additions of my own via purchases on Ebay (of course), as well as many purchases from both dealers and institutions throughout the world – but especially in the Near East and in Eastern Europe. I spend over half of my year out of the United States, and have spent much of my life either in India or Eastern Europe. In fact much of what we generate on Yahoo, Amazon and Ebay goes to support The Hermitage Museum in St. Petersburg, as well as some other worthy institutions in Europe connected with Anthropology and Archaeology. I acquire some small but interesting collections overseas from time-to-time, and have as well some duplicate items within my own collection which I occasionally decide to part with. Though I have a collection of ancient coins numbering in the tens of thousands, my primary interest is in ancient jewelry. My wife also is an active participant in the “business” of antique and ancient jewelry, and is from Russia. I would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from me. There is a $2 fee for mailing under separate cover. Whenever I am overseas I have made arrangements for purchases to be shipped out via domestic mail. If I am in the field, you may have to wait for a week or two for a COA to arrive via international air mail. But you can be sure your purchase will arrive properly packaged and promptly – even if I am absent. And when I am in a remote field location with merely a notebook computer, at times I am not able to access my email for a day or two, so be patient, I will always respond to every email. Please see our "ADDITIONAL TERMS OF SALE."

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