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BC600 Ancient Egypt Turquoise Faience Silica Ceramic Proto Glass Hooks 14ktGF

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Seller: ancientgifts (4,230) 99.4%, Location: Lummi Island, Washington, Ships to: Worldwide, Item: 381735711586 TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Your browser does not support JavaScript. To view this page, enable JavaScript if it is disabled or upgrade your browser. Click here to see 1,000 archaeology/ancient history books and 2,000 ancient artifacts, antique gemstones, antique jewelry! Splendid, Delicate 2,500 Year Old Ancient Egyptian Turquoise Blue-Green Faience Tube Beads on 14kt Gold Fill French Hook Earrings. CLASSIFICATION: Two primitive ancient Egyptian silica ceramic/glass ("faience") tube beads accented with primitive silica disc beads. Contemporary 14kt gold fill french hooks and straight pins. ATTRIBUTION: Ancient Egypt, 26th Dynasty, about 7th century B.C. SIZE: Faience tube beads are about 21 millimeters in length, and about 3 millimeters (1/8th inch) in diameter. Disc beads are about 4 millimeters in diameter, about 2 millimeters in thickness. CONDITION: Excellent. Unbroken beads relatively intact, faience turquoise color well preserved. NOTE: 14kt solid gold settings and other setting styles (studs, lever backs, euro clicks, kidney wires, ball/stud dangles, etc., are available upon request, as are sterling silver settings. NOTE: If you would like only the beads, and not the settings, we can dismount them and offer you the beads without the settings. Just let us know, and yes, we’ll discount the price by the cost of the settings. DETAIL: A pair of earrings composed of blue-green tubular "mummybeads" constructed of faience, a primitive silica ceramic. Along with the faience tube beads are disk-shaped silica beads used as accents. The faience beads used are full-sized, premium specimens, specially selected for their color and unbroken condition. The beads are mounted onto high quality 14kt gold fill french hooks of contemporary origin. They are high quality settings manufactured by one of the USA’s leading semi-custom mount producers. They are constructed of 14kt gold fill. They are not cheap, gold electroplated earrings. They are of genuine 14kt gold fill, designed to last a lifetime. It's a first-class piece of jewelry throughout. We can reset into 14kt solid gold (or sterling silver) upon request, and there are also many other setting styles available upon request including euro clicks, lever backs, kidney wires, ball/stud dangles, etc. CONSTRUCTION: Faience, a primitive form of ceramic, was the ancient forerunner of modern glass, and was used by the Ancient Egyptians as far back as 3000 B.C. to fashion various amulets, beads, and other items of personal adornment. Most amulet/necklaces were both worn on a daily basis for protection, as well as buried with the dead to afford protection in the journey from this life to the next. Some bead necklaces were purely items of personal adornment, as these might have been so worn. Faience was produced by crushing quartz mixed with copper, and made into a paste. The paste was then placed in a mold, and then fired. The quartz would fuse, and the copper would give the resulting product a color with blue and/or green hues, which was favored by the ancient Egyptians as the color of the Nile River. HISTORY OF ANCIENT EGYPT: In the southwestern corner of Egypt, near the border of Sudan, archeologists find evidence of human habitation at least 10,000 years ago. Though this area once was blessed with grassy plains and lakes that formed during periods of seasonal rain, it is dry now. We believe that by 6,000 BC the population kept herds of cattle and erected some large buildings. As the climate became more arid, these people migrated east and began what became the Egyptian civilization in the fertile Nile Valley. By the time another 2,000 years had passed, this population had settled Upper Egypt in such locations as Hierakonpolis, Naqada and Abydos. By 3,300 BC ancient Egypt had established itself as one of the world’s most advanced civilizations. It was destined to be one of the most long-lived as well. The source of the life-giving Nile River, which made ancient Egyptian civilization possible, is found in the highlands of East Africa. The river flows in a northerly direction through territory that is now Sudan and Egypt, forms a broad and fertile delta, and empties into the Mediterranean Sea. Every year, during seasonal rains “upriver” in south Africa, the Nile overflowed its banks, depositing rich black soil on the floodplain. This allowed the ancient Egyptians to establishing a thriving agricultural economy. Other elements were conducive to the development of a great civilization. The Nile provided transport, a constant source of water that sustained plants, humans and animals, and the rays of the sun in mostly cloudless skies provided light and heat. An additional bonus came in the form of natural barriers that prevented invasion by hostile peoples: the desert to the west, the sea to the north and east, and the cataracts of the Nile to the south. Though other civilizations rose and faded in importance, Egypt alone survived for thousands of years, allowing the fruition of sophistication and creativity. In this territory the two of the Seven Wonders of the Ancient World are found; the pyramids at Giza and the lighthouse at Alexandria. The Egyptians produced an immense and sophisticated catalogue of literature that included treatises on ethical and moral behavior, “how-to” texts, works of religious and magical import, and quite a number of epic stories, ribald tales and love poetry. They understood the principles of mathematics and architecture and were able to erect large stone buildings prior to 2,500 BC. They originated the basic concepts of arithmetic and geometry and of medicine and dentistry as well. They developed a calendar based on their astronomical observations. Egyptian cultural and religious images, whether sculpted, painted or drawn, fascinate modern people everywhere. Their early written form, known as hieroglyphics, is pictographic; symbols take the form of recognizable images. As for religious belief, the ancient Egyptian culture was one of the firsts to have a concept of life after death. They paid lavish attention to preparations for that life, perhaps more lavish and detailed than in any culture before or since and certainly more sophisticated. Royal and private remains were laid to rest in underground chambers erected for that purpose. Above the ground great pyramids were erected, as well as sprawling temple complexes and immense statues that combined human and animal forms. Many survive today, though some were buried by the sands of time to come to light only much later. The study of ancient Egypt still consumes archeologists and scholars, who admit there is much yet to be learned about this fascinating culture. One contentious question concerns the origin of writing: Egypt or Mesopotamia? While the written record attests to at least 3,000 years of Egyptian culture, the archeological evidence suggests a time frame of greater duration. GLASS HISTORY: Naturally occurring glass, especially the volcanic glass obsidian, has been used since the Stone Age in many localities across the globe for the production of sharp cutting tools and, due to its limited source areas, was extensively traded. With respect to man-made glass, the ancient Romans were the first to mass produce glass articles, and this included glass jewelry and gemstones. In the ancient world, glass jewelry was very costly, not only for the ancient Romans, but particular so going back another 3,000 years further to ancient Egypt, Mesopotamia, and Sumeria. Though glass jewelry, especially gemstones and beads, have been fashioned for perhaps 5,000 years, very little is known about the production of glass in the ancient world. Perhaps about 4,000 B.C. the ancient Egyptians started fashioning amulets, beads, and small vessels out of a material known as “faience”, an ancient precursor of glass created by crushing quartz sand and mixing it with an alkali binder and mineral oxides to provide color. The discovery of the techniques for producing glass was probably the accidental byproduct of the ancient production of faience. Ancient lumps of glass have been discovered in the area of ancient Mesopotamia, as well as ancient Syria and Egypt, dating as far back as 4,000 B.C. Written records from ancient Mesopotamia refer to the manufacture of glass, describing the manufacturing process as difficult and a closely-guarded secret. Initially ancient glass vessels were produced in with the use of molds of forms. Some of the earliest surviving examples were from the 15th century B.C. tombs of the wives of ancient Egypt’s Pharaoh Thutmose III. Glass beads dating to about 1,800 B.C. were produced by the Indus Valley Civilization. Around 1,500 B.C. two new production techniques gave rise to more frequent manufacture of glass in Egypt and Mesopotamia, as well as in Minoan Crete and Mycenaean Greece. Both techniques involved the use of molten glass rods, either wrapped around a mud core, or placed within a mold. However the end product was still nonetheless frightfully expensive and the process both lengthy and labor-intensive. The disasters that overtook Late Bronze Age civilizations seem to have brought glass-making to a halt. It picked up again in its former sites, as well as in Syria and Cyprus, in the 9th century B.C., when the techniques for making colorless glass were discovered. The first glassmaking "manual" dates back to about 650 B.C., in cuneiform tablets discovered in the library of the Assyrian king Ashurbanipal. In Egypt glass-making did not revive until it was reintroduced in third century B.C. Ptolemaic Alexandria. During the Greek Hellenistic (colonizing) period many new techniques of glass production were introduced and glass began to be used to make larger pieces, notably table wares. The term “glass” originated in the late Roman Empire in the Roman glassmaking center at Trier, now in modern Germany. The Romans utilized glass in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles, window glass, jewelry, beads and gemstones were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely colored cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing techniques (introduced a century earlier in Palestine and Syria), wherein a blob of molten glass was inflated either free form or into a mold by blowing through a hollow metal blowpipe. Glass blowing became widespread during the later Roman Empire, and with it the dominance of colorless or “aqua” colored glass, and the inexpensive process created huge demand for glass products, including jewelry. Syria became the "glass factory" of the Roman Empire and glassware came to be widely disseminated throughout the Roman Empire (if you would like to learn more about ancient Roman/Syrian glass, there are two wonderful websites to start you on your voyage here and here). Roman glass ware which had already been traded as far as China and Western Asia (Roman glass has been found in first century B.C. tombs in China as well as what was Parthian Persia) now came to be exported throughout the known world in vast quantity. Glassblowing allowed glass workers to produce vessels with considerably thinner walls, decreasing the amount of glass needed for each vessel. Glass blowing was also considerably quicker than other techniques, and vessels required considerably less finishing, representing a further saving in time, raw material and equipment. Although earlier techniques dominated during the early first century A.D., by the middle to late first century earlier production techniques had been largely abandoned in favor of blowing. Glass making reached its peak at the beginning of the 2nd century A.D., with glass objects in domestic contexts of every kind. An eight ton glass slab uncovered by archaeologists indicates that glass was being produced in very large batches contained in tanks situated inside highly specialized furnaces. Glass was seemingly manufactured on a large scale by a limited number of workshops, and then broken into chunks for distribution to a multitude of local producers of end products. Otherwise there is only limited evidence for small-scale local glass manufacture, and only in context of window glass. The first-century A.D. Roman Naturalist and Historian “Pliny the Elder” documented the furnace-production of molten glass and the development of related production technologies. The Roman writers Statius and Martial both indicate that recycling broken glass was an important part of the glass industry, and that quantities of broken glassware were concentrated at local sites prior to melting back into raw glass. This is supported by the fact that only rarely are glass fragments of any size recovered by archaeologists from domestic sites of this period. With respect to glass jewelry, it is well known that the Romans and their successors in the East, the Byzantines (and Eastern Europe in general), were very fond of elaborate jewelry and other personal adornments. Typical jewelry included bracelets worn both on the forearm as well as upper arm, rings, earrings, and pendants, and in the classical world, glass jewelry was just as costly its counterparts made in gold and/or gemstones. Though introduced in first century A.D. Alexandria, the use of glass windows gained widespread popularity in the 6th and 7th centuries A.D. throughout Europe, mostly in conjunction with churches and royal structures. In the 8th century A.D. glass was described in Arab poetry, and in another 8th century book a Persian chemist recorded 46 recipes for colored glass (a later edition of the book included 12 additional recipes). By the 11th century clear glass mirrors were being produced in Islamic Spain. In Germany the 11th century saw the introduction of a technique which mass-produced thin sheet glass, and in the 12th century the use of stained glass rapidly became an important medium in Romanesque and Gothic art. However the mass-production of glass during the era of the Roman Empire was not matched by the modern world until the advent of the industrial revolution. Glass remained expensive through the 17th century, and glass gemstones though less expensive than natural gemstones, were still expensive. The “gemstones” in the least expensive “costume” jewelry were generally made from colored amber. Excepting of course genuine precious and semi-precious gemstones, glass “gemstones” were still the domain of relatively more costly pieces. Domestic shipping (insured first class mail) is included in the price shown. Domestic shipping also includes USPS Delivery Confirmation (you might be able to update the status of your shipment on-line at the USPS Web Site). Canadian shipments are an extra $14.99 for Insured Air Mail; International shipments are an extra $18.99 for Air Mail (and generally are NOT tracked; trackable shipments are EXTRA). ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per item so as to reward you for the economies of combined shipping/insurance costs. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. We do NOT recommend uninsured shipments, and expressly disclaim any responsibility for the loss of an uninsured shipment. Unfortunately the contents of parcels are easily “lost” or misdelivered by postal employees – even in the USA. If you intend to pay via PayPal, please be aware that PayPal Protection Policies REQUIRE insured, trackable shipments, which is INCLUDED in our price. International tracking is at additional cost. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. We will accept whatever payment method you are most comfortable with. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked return policy. Send it back, I will give you a complete refund of the purchase price (less our original shipping costs). Most of the items I offer come from the collection of a family friend who was active in the field of Archaeology for over forty years. However many of the items also come from purchases I make in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) from various institutions and dealers. Though I have always had an interest in archaeology, my own academic background was in sociology and cultural anthropology. After my retirement however, I found myself drawn to archaeology as well. Aside from my own personal collection, I have made extensive and frequent additions of my own via purchases on Ebay (of course), as well as many purchases from both dealers and institutions throughout the world – but especially in the Near East and in Eastern Europe. I spend over half of my year out of the United States, and have spent much of my life either in India or Eastern Europe. In fact much of what we generate on Yahoo, Amazon and Ebay goes to support The Hermitage Museum in St. Petersburg, as well as some other worthy institutions in Europe connected with Anthropology and Archaeology. I acquire some small but interesting collections overseas from time-to-time, and have as well some duplicate items within my own collection which I occasionally decide to part with. Though I have a collection of ancient coins numbering in the tens of thousands, my primary interest is in ancient jewelry. My wife also is an active participant in the “business” of antique and ancient jewelry, and is from Russia. I would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from me. There is a $2 fee for mailing under separate cover. Whenever I am overseas I have made arrangements for purchases to be shipped out via domestic mail. If I am in the field, you may have to wait for a week or two for a COA to arrive via international air mail. But you can be sure your purchase will arrive properly packaged and promptly – even if I am absent. And when I am in a remote field location with merely a notebook computer, at times I am not able to access my email for a day or two, so be patient, I will always respond to every email. Please see our "ADDITIONAL TERMS OF SALE."

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