Seller: riedel-petra (3,184) 100%, Location: Hammelburg, Ships to: Worldwide, Item: 161787182881 Choiseul-Gouffier, Voyage Grèce. 3 Bde./3 vols.. (Choiseul-Gouffier, M. G. A. F. de). Voyage pittoresque de la Grèce. Tl. 1 u. 2/I-II (alles) in 3 Bdn. Paris, J. J. Blaise, 1782-1822. Gr.-fol. (55:36 cm). Mit 3 gest. Titeln mit Vign., 1 Porträt-Kupfer, 168 (9 doppelblattgr. bzw. gefalt.) Kupfertafeln mit 285 Kupf., 2 gefalt. Kupferkarten, 21 Textvignetten u. 1 gefalt. Stammtafel. 4 Bll., XII, 204 S.; 3 Bll., 346 S.; 1 Bl., S. 347-518, XII S. Hldr. d. Zt., leicht berieben, Ecken u. Kapitale bestoßen, Gelenke gebrochen oder angebrochen. Blackmer 342; Lipperheide Kc 2; Hiler 166; Cohen-R. 238. - Erste Ausgabe, Bd. 1 im dritten Druck (Vorrede neugesetzt, endet "O utinam"). Prachtvolle Reisebeschreibung, nach dem Tod des Autors im Jahre 1817 wurde der zweite Teil des zweiten Bandes von Barbié du Bocage beendet. "The plates in this important work are mostly after drawings by Hilaire, whom Boppe regards as the artist who most clearly understood and penetrated the life of the Levant. An interesting feature of this work is the series of costume plates at the end of vol. II, these are after drawings by Moreau" (Blackmer). Unter den Tafeln sind neben den bekannten Darstellungen zahlreicher bekannter Altertümer und archäologischer Funde auch 24 Karten sowie zahlreiche Ansichten von Städten und Ortschaften, meist mit reizvoller figürlicher Staffage, darunter Coroni, Kos, Naxos, Pathmos, Rhodos, Scio u. a. Teil 2/II behandelt hauptsächlich Konstantinopel und Umgebung, dabei drei große Gesamt- sowie zahlreiche kleinere Detailansichten. Von besonderem Reiz sind auch die 21 großangelegten spätbarocken Textvignetten. - Unbeschnittenes, breitrandiges Exemplar. Meist stockfleckig u. leicht gebräunt. Das Portr. mit kurzem Einriß. First edition, 3 vols, part 1 in third issue. With 3 engraved titles, engraved portrait, 168 large plates after Hilaire and Moreau, 2 folding maps, 21 engraved vignettes and 1 folding genealogical table. - Uncut. Foxing and slight browning throughout, small tear to engr. portrait. Contemp. half-calf, somewhat worn, hinges cracked, but firm. Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier (27 September 1752, Paris - 20 June 1817, Aix-la-Chapelle) was a member of the Académie Française and the Choiseul-Gouffier family, French ambassador to the Ottoman Empire from 1784 until the fall of the French monarchy and a scholar of ancient Greece. Right from his studies at the collège d'Harcourt, he had a passion for antiquities. He was particularly marked by frequent meetings with Jean-Jacques Barthélemy, author of Voyage d'Anarcharsis, who he met at the home of his cousin the duc de Choiseul. Another friend was Talleyrand, with whom he participated in court intrigues and by whom he was dissuaded from taking up the religious life. In 1776, he left for Greece on board the frigate Atalante, commanded by Joseph Bernard de Chabert, marquis of Chabert, who was interested in astronomy. With painters and architects in tow, Choiseul-Gouffier thus visited the south Peloponnese, the Cyclades and other Aegean islands, then moved on to Asia Minor. The journey had also had a political goal - explaining the situation in the Aegean between the Ottoman Empire and Imperial Russia. On his return he published the first volume of his Voyage pittoresque de la Grèce, which was a great success and facilitated his intellectual and political career. He became a member of the Académie des inscriptions et belles-lettres in 1782, then a member of the Académie française in 1783. He was ambassador to Constantinople from 1784 to 1791, taking advantage of this chance to discover Greece. In Constantinople he gathered about him a semi-formal academy where gentlemen engaged in recording the beauties and treasures of the city gathered. Choiseul-Gouffier visited Athens, where he coveted the Parthenon's metopes, obtained a firman, as Elgin did later, to remove antiquities from the Acropolis, and sent to France a part of the Parthenon frieze which was two metres long, and was part of the sculpture collection he bequeathed on his death to the Louvre, where it now resides. His marble bust of Marcus Aurelius, found by the French consul Louis Fauvel in Attica in 1789, was sold in 1818; it was later acquired by the Musée du Louvre, whilst an Apollo previously owned by him is now in the British Museum. The French Revolution changed the course of his life. Refusing to obey the Convention, he refused his recall to France for fear of being guillotined. His goods in France were seized and another envoy sent out to replace him. After a year spent under siege in the embassy, Choiseul Gouffier emigrated in 1792 to Russia, where he was named Director of the Academy of Arts and Imperial Public Library of Russia. Empress Catherine the Great became friends with him and gave him lands and a domain in what is now Lithuania. (His descendents lived in Lithuania until 1945 when, hunted by the Communists, the last of the Choiseul-Gouffiers fled to Switzerland and died there in 1949.) He only returned to France upon Napoleon's amnesty to exiled nobles at the start of the First Empire in 1802. Finding his friend Talleyrand, he refused to participate in the government of the Empire, and remained faithful to Louis XVIII. He published the second volume of his Voyage pittoresque de la Grèce in 1809 and built himself a house imitating the Erechtheion. He was named a Minister of France and Peer of France upon the Bourbon Restoration. Excluded from the Académie française for having emigrated, he regained his seat in 1816. The third volume of his Voyage pittoresque de la Grèce was published posthumously in 1822. Works He published his impressions as Voyage Pittoresque en Grèce (Brussels 1782), often reprinted, and republished as late as 1842, as Voyage pittoresque dans l’Empire Ottomane. It presented many little known monuments, set in an idealised Greece crushed by Ottoman domination and desiring to rediscover and reawaken its liberty. This romantic vision of modern-day Greece was taken apart by several other travellers at the start of the 19th century. Like them, he suggested one should go see these sites in person to better comprehend the ancient authors, walking round sites with their texts in one's hand, "to feel more live the different beauties of the pictures traced by Homer, by seeing the images he had in his eyes" ("pour sentir plus vivement les beautés différentes des tableaux tracés par Homère en voyant les images qu'il avait eues sous les yeux"). His narrative allowed his readership to get to know previously unknown regions of Greece, such as the Cyclades. He asked his protege, the painter Lancelot Théodore Turpin de Crissé, to produce the engravings for the second volume. FOR MORE QUESTIONS PLEASE WRITE US Powered by eBay Turbo ListerThe free listing tool. List your items fast and easy and manage your active items.