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HUGE Greek Intaglio Gems Finger Rings Bronze Age Classical Crete Mycenae Persia

CAD 171.14 Buy It Now 20d, CAD 64.50 Shipping, 30-Day Returns

Seller: ancientgifts (4,186) 99.3%, Location: Lummi Island, Washington, Ships to: Worldwide, Item: 122071455066 TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Your browser does not support JavaScript. To view this page, enable JavaScript if it is disabled or upgrade your browser. Click here to see 1,000 archaeology/ancient history books and 2,000 ancient artifacts, antique gemstones, antique jewelry! Greek Gems and Finger Rings: Early Bronze to Late Classical by John Boardman. NOTE: We have 75,000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well (some paperback, some hardcover, oftentimes international editions). If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Massive (12x10 inch, 7 pound) Hardcopver with Dustjacket. Publisher: Thames & Hudson (1972). Pages: 458. The miniaturist art of gem engraving is the least familiar of the major arts of ancient Greece, yet we know it to have been practiced by the greatest artists. This book presents a comprehensive account of the art in Greek lands from the early Bronze Age down to the Hellenistic period. The gems are related to history and to the artistic achievements in other media of their day, and the subject matter of the scenes engraved upon them is examined and found to hold much that will be new to students of Greek myth and iconography. The development of the Bronze Age studios in the Minoan and Mycenaean world is discussed, and the works of the great period of Classical gem engraving are resolved into their styles and schools, with a special chapter devoted to Greek works within the Persian Empire. The attributions and discussion are supported by full notes and lists. The plates, which show the gems enlarged up to four times their natural size, present the fullest possible range of devices and styles from all periods. This revised edition will be an essential work of reference for students and scholars, as well as a thorough survey of the subject for all lovers of Greek art. 1395 illustrations, 51 in color. CONDITION: LIKE NEW. Unread(?) MASSIVE hardcover w/dustjacket in mylar sleeve. Harry N. Abrams (1972) 458 pages. Book appears as if it were never read. I would guess someone flipped through it a few times, then put it away on a bookshelf never to actually be “read”. The pages are pristine; clean, crisp, unmutilated, tightly bound and unmarked. The inside of the book is otherwise virtually perfect, as are the mylar-enased dustjacket and the cloth covers. It appears that the dustjacket has been encased within a mylar sleeve since it was new, protecting both the dustjacket and the covers from any edge or corner shelfwear. It's a very clean book, very presentable, in exceptional overall condition. The overall condition is fairly consistent with what might be offered as "new" stock from an open-shelf book store (such as Barnes & Noble, or B. Dalton for instance) wherein patrons are permitted to browse open stock, and so otherwise "new" books often evidence a wee bit of browsing wear. Satisfaction unconditionally guaranteed. In stock, ready to ship. No disappointments, no excuses. PROMPT SHIPPING! HEAVILY PADDED, DAMAGE-FREE PACKAGING! #7627.2a. PLEASE SEE DESCRIPTIONS AND IMAGES BELOW FOR DETAILED REVIEWS AND FOR PAGES OF PICTURES FROM INSIDE OF BOOK. PLEASE SEE PUBLISHER, PROFESSIONAL, AND READER REVIEWS BELOW. PUBLISHER REVIEWS: REVIEW: Sir John Boardman is known and respected the world over as an outstanding authority on classical archaeology and art. Among his prodigious output of books - over thirty titles - are numerous works on Greek pottery and sculpture in the World of Art series. He has received numerous honors, including a knighthood in 1989 and honorary doctorates from the University of Athens and the Sorbonne. REVIEW: TABLE OF CONTENTS: Acknowledgements. CHAPTER ONE: INTRODUCTION. CHAPTER TWO: MINOANS AND MYCENAEANS. Introduction; Early Greece; Pre-Palatial Greece; Crete: the Early Palaces; Crete: the Late Palaces; Mycenaean Knossos; Mycenaean Greece; the End of the Bronze Age; Seal Use and Production; Aegean Seals and the Outside World. CHAPTER THREE: THE GEOMETRIC AND EARLY ARCHAEIC PERIODS. The Geometric Seals; Early Archaic Stone Seals; Ivories; Island Gems; the Sunium Group and Crete. CHAPTER FOUR: ARCHAIC GEMS AND FINGER RINGS. The Orientilizing Style; the Robust Style; the Dry Style; Island Scarabs; Late Archaic Groups; Greeks in Etruria; Greeks and Phoenicians; Finger Rings; Conclusion. CHAPTER FIVE; GLASSICAL GEMS AND FINGER RINGS. Class Gem Stones; Classical Finger Rings; Ancient Impressions; Seal and Gem Usage in the Classical Period. CHAPTER SIX: GREEKS AND PERSIANS. The Court Style; the Greek Style; the Mixed Style; the Bern Group and a Blobolo Gems; Finger Rings; Summary. CHAPTER SEVEN: HELLENISTIC GREECE AND ROME. CHAPER EIGHT: MATERIALS AND TECHNIQUES. EPILOGUE 1970-2000. SUMMARIES OF GEM AND RING SHAPES. NOTES. INDEXES, PROFESSIONAL REVIEWS: REVIEW: Fabulous comprehensive study, unequally in the subject matter, massively illustrated. A must for enthusiasts of ancient art, ancient jewelry, ancient history. READER REVIEWS: REVIEW: “Greek Gems and Finger Rings” is not a book about jewelry, merely; it's about history, archeology, art, and the origins of Western civilization. John Boardman makes a great case for why anyone interested in the ancient Greeks, and particularly their fine arts, should take a careful look at their gems and finger rings. Many if not most of the "gems" and "rings" discussed (and pictured in exquisite detail in the book) are actually seals used by the ancient Greeks (and Minoans) for various purposes: to seal and mark private personal correspondence and documents of state, to seal and identify containers and their goods in commerce. They were also used as heraldry. And yes, sometimes they were just jewelry. In Bronze Age Greece, these seals went from crude glyphs to gorgeous works of art in ivory, gold, precious stones. Some depict religious rituals and gods, scenes from mythology. Or they can depict hunting scenes with people and animals. Boardman takes you chronologically from Minoan/Mycenaean to Archaic, Classical, and Hellenistic. He places the gems in cultural and historical context. He obviously has extensive knowledge of the prior literature on the subject, especially the archeological record and matters of provenance. Many of the gems in this book are artistic masterpieces to rival those of any Greek art. Boardman makes a case for them as miniature sculpture. To me they are more interesting than early Greek vase painting, which appears more frequently in books about ancient Greece than these seals, which are rarely shown. What particularly fascinated me was the clear differences in techniques, tastes, and styles from period to period. Comparing, say, the early Minoan and Mycenaean seals to those of the Classical period yields some continuities, of course, but also much that is different, even in the way they portray the human (and also non-human) body. For example, the Minoans depicted people as wasp-waisted, with arm and leg joints very tapered, a total contrast to the Classical depictions, which are more realistic even within their idealizations. The Minoan bodies look more flexible, and their style captures a vibrant sense of animation, movement, life. The Classical gems are beautiful, but I found the Minoan gems more interesting. They are certainly more ecstatically alive. I might wonder to what extent the classical Greeks really believed in their gods, but in the case of the Minoan seals I must say they really convey a sense of pagan worship, showing rituals involving bare-chested women holding serpents, little gods materializing above altars. The Minoans and Mycenaeans are farther back in time than the Classical Greeks, and their art conveys that primordial nature, a spirit and attitude towards existence that appear strange to us today as compared with the seals created in subsequent periods. We recognize the classical; its influence is all around us. But the Minoans seem alien, even in the way they dress. The book itself is large, sumptuous, and brimming with over a thousand detailed impressions and photographs. Well worth the price. REVIEW: Boardman's book is great for looking at Bronze Age, early and classical Greek Gems. A beautiful book, almost a complete corpus of gems from the noted period. Very useful. REVIEW: Very professional and thorough study by the writer in his field of expertise. A lot of examples and museum records. I always ship books Media Mail in a padded mailer. This book is shipped FOR FREE via USPS INSURED media mail (“book rate”). All domestic shipments and most international shipments will include free USPS Delivery Confirmation (you might be able to update the status of your shipment on-line at the USPS Web Site) and free insurance coverage. A small percentage of international shipments may require an additional fee for tracking and/or delivery confirmation. If you are concerned about a little wear and tear to the book in transit, I would suggest a boxed shipment - it is an extra $1.00. Whether via padded mailer or box, we will give discounts for multiple purchases. International orders are welcome, but shipping costs are substantially higher. Most international orders cost an additional $12.99 to $33.99 for an insuredshipment in a heavily padded mailer, and typically includes some form of rudimentary tracking and/or delivery confirmation (though for some countries, this is only available at additional cost). However this book is quite heavy, and it is too large to fit into a flat rate mailer. Therefore the shipping costs are somewhat higher than what is otherwise ordinary. There is a discount program which can cut postage costs by 50% to 75% if you’re buying about half-a-dozen books or more (5 kilos+). Rates and available services vary a bit from country to country. You can email or message me for a shipping cost quote, but I assure you they are as reasonable as USPS rates allow, and if it turns out the rate is too high for your pocketbook, we will cancel the sale at your request. ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per book (for each additional book after the first) so as to reward you for the economies of combined shipping/insurance costs. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. All of our shipments are sent via insured mail so as to comply with PayPal requirements. We do NOT recommend uninsured shipments, and expressly disclaim any responsibility for the loss of an uninsured shipment. Unfortunately the contents of parcels are easily “lost” or misdelivered by postal employees – even in the USA. That’s why all of our domestic shipments (and most international) shipments include a USPS delivery confirmation tag; or are trackable or traceable, and all shipments (international and domestic) are insured. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. We will accept whatever payment method you are most comfortable with. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked return policy. Send it back, I will give you a complete refund of the purchase price (less our original shipping costs). Most of the items I offer come from the collection of a family friend who was active in the field of Archaeology for over forty years. However many of the items also come from purchases I make in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) from various institutions and dealers. Though I have always had an interest in archaeology, my own academic background was in sociology and cultural anthropology. After my retirement however, I found myself drawn to archaeology as well. Aside from my own personal collection, I have made extensive and frequent additions of my own via purchases on Ebay (of course), as well as many purchases from both dealers and institutions throughout the world - but especially in the Near East and in Eastern Europe. I spend over half of my year out of the United States, and have spent much of my life either in India or Eastern Europe. In fact much of what we generate on Yahoo, Amazon and Ebay goes to support The Hermitage Museum in St. Petersburg, as well as some other worthy institutions in Europe connected with Anthropology and Archaeology. I acquire some small but interesting collections overseas from time-to-time, and have as well some duplicate items within my own collection which I occasionally decide to part with. Though I have a collection of ancient coins numbering in the tens of thousands, my primary interest is in ancient jewelry. My wife also is an active participant in the "business" of antique and ancient jewelry, and is from Russia. I would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from me. There is a $2 fee for mailing under separate cover. Whenever I am overseas I have made arrangements for purchases to be shipped out via domestic mail. If I am in the field, you may have to wait for a week or two for a COA to arrive via international air mail. But you can be sure your purchase will arrive properly packaged and promptly - even if I am absent. And when I am in a remote field location with merely a notebook computer, at times I am not able to access my email for a day or two, so be patient, I will always respond to every email. Please see our "ADDITIONAL TERMS OF SALE."

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