Seller: highrating_lowprice (18,369) 100%, Location: Rego Park, New York, Ships to: Worldwide, Item: 351752502636 Details: Item: i56181 Authentic Ancient Roman Glass Vase from circa 50-250 A.D. 9.5 x 6.5 cm (102.82 grams) Provenance: From private collection in the United States of America. Ownership History: From private collection in the United States, bought in private sale in the United States of America. You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity. Roman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles and window glass were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or ‘aqua’ glasses. Production of raw glass was undertaken in geographically separate locations to the working of glass into finished vessels, and by the end of the 1st century AD large scale manufacturing resulted in the establishment of glass as a commonly available material in the Roman world, and one which also had technically very difficult specialized types of luxury glass, which must have been very expensive. Growth of the Roman glass industry Roman glass from the 2nd century Despite the growth of glass working in the Hellenistic World and the growing place of glass in material culture , at the beginning of the 1st century AD there was still no Latin word for it in the Roman World. However, glass was being produced in Roman contexts using primarily Hellenistic techniques and styles (see glass, history ) by the late Republican period. The majority of manufacturing techniques were time-consuming, and the initial product was a thick-walled vessel which required considerable finishing. This, combined with the cost of importing natron for the production of raw glass, contributed to the limited use of glass and its position as an expensive and high-status material. The glass industry was therefore a relatively minor craft during the Republican period; although, during the early decades of the 1st century AD the quantity and diversity of glass vessels available increased dramatically. This was a direct result of the massive growth of the Roman influence at the end of the Republican period, the Pax Romana that followed the decades of civil war, and the stabilisation of the state that occurred under Augustus ’ rule. Still, Roman glasswares were already making their way from Western Asia (i.e. the Parthian Empire ) to the Kushan Empire in Afghanistan and India and as far Han Empire of China ; the first Roman glass found in China came from an early 1st-century BC tomb at Guangzhou . In addition to this a major new technique in glass production had been introduced during the 1st century AD. Glassblowing allowed glass workers to produce vessels with considerably thinner walls, decreasing the amount of glass needed for each vessel. Glass blowing was also considerably quicker than other techniques, and vessels required considerably less finishing, representing a further saving in time, raw material and equipment. Although earlier techniques dominated during the early Augustan and Julio-Claudian periods, by the middle to late 1st century AD earlier techniques had been largely abandoned in favour of blowing. As a result of these factors, the cost of production was reduced and glass became available for a wider section of society in a growing variety of forms. By the mid-1st century AD this meant that glass vessels had moved from a valuable, high-status commodity, to a material commonly available: “a [glass] drinking cup could be bought for a copper coin” (Strabo, Geographica XVI.2). This growth also saw the production of the first glass tesserae for mosaics, and the first window glass, as furnace technology improved allowing molten glass to be produced for the first time. At the same time, the expansion of the empire also brought an influx of people and an expansion of cultural influences that resulted in the adoption of eastern decorative styles. The changes that took place in the Roman glass industry during this period can therefore be seen as a result of three primary influences: historical events, technical innovation and contemporary fashions. They are also linked to the fashions and technologies developed in the ceramic trade, from which a number of forms and techniques were drawn. "Circus beaker" from Roman Iron Age , found in Varpelev, Denmark Green Roman glass cup unearthed at Eastern Han Dynasty (25-220 AD) tomb, Guangxi , China Glass making reached its peak at the beginning of the 2nd century AD, with glass objects in domestic contexts of every kind. The primary production techniques of blowing, and to a lesser extent casting, remained in use for the rest of the Roman period, with changes in vessel types but little change in technology. From the 2nd century onwards styles became increasingly regionalised, and evidence indicates that bottles and closed vessels such as unguentaria moved as a by-product of the trade in their contents, and many appear to have matched the Roman scale of liquid measurement. The use of coloured glass as a decorative addition to pale and colourless glasses also increased, and metal vessels continued to influence the shape of glass vessels. After the conversion of Constantine, glass works began to move more quickly from depicting Pagan religious imagery towards Christian religious imagery. The movement of the capital to Constantinople rejuvenated the Eastern glass industry, and the presence of the Roman military in the western provinces did much to prevent any downturn there. By the mid-4th century mould-blowing was in use only sporadically. Roman glass production Composition Main article: Glass Close-up of beach sand, the main component of Roman glass Roman glass production relied on the application of heat to fuse two primary ingredients: silica and soda. Technical studies of archaeological glasses divide the ingredients of glass as formers, fluxes, stabilisers, as well as possible opacifiers or colourants. Former: The major component of the glass is silica, which during the Roman period was sand (quartz), which contains some alumina (typically 2.5%) and nearly 8% lime . Alumina contents vary, peaking around 3% in glasses from the western Empire , and remaining notably lower in glasses from the Middle East. Flux: This ingredient was used to lower the melting point of the silica to form glass. Analysis of Roman glass has shown that soda (sodium carbonate) was used exclusively in glass production. During this period, the primary source of soda was natron , a naturally occurring salt found in dry lake beds. The main source of natron during the Roman period was Wadi El Natrun , Egypt, although there may have been a source in Italy. Stabiliser: Glasses formed of silica and soda are naturally soluble, and require the addition of a stabiliser such as lime or magnesia. Lime was the primary stabiliser in use during the Roman period, entering the glass through calcareous particles in the beach sand, rather than as a separate component. Roman glass has also been shown to contain around 1% to 2% chlorine, in contrast to later glasses. This is thought to have originated either in the addition of salt (NaCl) to reduce the melting temperature and viscosity of the glass, or as a contaminant in the natron. Glass making Roman blown-glass cinerary urn , dated between 1st and 3rd centuries AD Archaeological evidence for glass making during the Roman period is scarce, but by drawing comparisons with the later Islamic and Byzantine periods, it is clear that glass making was a significant industry. By the end of the Roman period glass was being produced in large quantities contained in tanks situated inside highly specialised furnaces, as the 8-tonne glass slab recovered from Bet She'arim illustrates. These workshops could produce many tonnes of raw glass in a single furnace firing, and although this firing might have taken weeks, a single primary workshop could potentially supply multiple secondary glass working sites. It is therefore thought that raw glass production was centred around a relatively small number of workshops, where glass was produced on a large scale and then broken into chunks. There is only limited evidence for local glass making, and only in context of window glass. The development of this large-scale industry is not fully understood, but Pliny's Natural History (36, 194), in addition to evidence for the first use of molten glass in the mid-1st century AD, indicates that furnace technologies experienced marked development during the early-to-mid-1st century AD, in tandem with the expansion of glass production. The siting of glass-making workshops was governed by three primary factors: the availability of fuel which was needed in large quantities, sources of sand which represented the major constituent of the glass, and natron to act as a flux. Roman glass relied on natron from Wadi El Natrun, and as a result it is thought that glass-making workshops during the Roman period may have been confined to near-coastal regions of the eastern Mediterranean . This facilitated the trade in the raw colourless or naturally coloured glass which they produced, which reached glass-working sites across the Roman empire. The scarcity of archaeological evidence for Roman glass-making facilities has resulted in the use of chemical compositions as evidence for production models, as the division of production indicates that any variation is related to differences in raw glass making. However, the Roman reliance on natron from Wadi El Natrun as a flux, has resulted in a largely homogenous composition in the majority of Roman glasses. Despite the publication of major analyses, comparisons of chemical analyses produced by different analytical methods have only recently been attempted, and although there is some variation in Roman glass compositions, meaningful compositional groups have been difficult to establish for this period. Recycling The Roman writers Statius and Martial both indicate that recycling broken glass was an important part of the glass industry, and this seems to be supported by the fact that only rarely are glass fragments of any size recovered from domestic sites of this period. In the western empire there is evidence that recycling of broken glass was frequent and extensive(cullet), and that quantities of broken glassware were concentrated at local sites prior to melting back into raw glass. Compositionally, repeated recycling is visible via elevated levels of those metals used as colourants. Melting does not appear to have taken place in crucibles; rather, cooking pots appear to have been used for small scale operations. For larger work, large tanks or tank-like ceramic containers were utilised. In the largest cases, large furnaces were built to surround these tanks. Glass working In comparison to glass making, there is evidence for glass working in many locations across the empire. Unlike the making process, the working of glass required significantly lower temperatures and substantially less fuel. As a result of this and the expansion of the Empire, glass working sites developed in Rome, Campania and the Po Valley by the end of the 1st century BC, producing the new blown vessels alongside cast vessels. Italy is known to have been a centre for the working and export of brightly coloured vessels at this time, with production peaking during the mid-1st century AD. By the early-to-mid-1st century AD, the growth of the Empire saw the establishment of glass working sites at locations along trade routes, with Cologne and other Rhineland centres becoming important glass working sites from the Imperial period, and Syrian glass being exported as far as Italy. During this period vessel forms varied between workshops, with areas such as the Rhineland and northern France producing distinctive forms which are not seen further south. Growth in the industry continued into the 3rd century AD, when sites at the Colonia Claudia Agrippinensis appear to have experienced significant expansion, and by the 3rd and early 4th centuries producers north of the Alps were exporting down to the north of Italy and the transalpine regions. Glass working sites such as those at Aquileia also had an important role in the spread of glassworking traditions and the trade in materials that used hollow glasswares as containers. However, by the 4th and 5th centuries Italian glass workshops predominate. Styles The earliest Roman glass follows Hellenistic traditions and uses strongly coloured and ‘mosaic’ patterned glass. During the late Republican period new highly coloured striped wares with a fusion of dozens of monochrome and lace-work strips were introduced. During this period there is some evidence that styles of glass varied geographically, with the translucent coloured fine wares of the early 1st century notably ‘western’ in origin, whilst the later colourless fine wares are more ‘international’. These objects also represent the first with a distinctly Roman style unrelated to the Hellenistic casting traditions on which they are based, and are characterised by novel rich colours. ‘Emerald’ green, dark or cobalt blue , a deep blue-green and Persian or ‘peacock’ blue are most commonly associated with this period, and other colours are very rare. Of these, Emerald green and peacock blue were new colours introduced by the Romano-Italian industry and almost exclusively associated with the production of fine wares. However, during the last thirty years of the 1st century AD there was a marked change in style, with strong colours disappearing rapidly, replaced by ‘aqua’ and true colourless glasses. Colourless and ‘aqua’ glasses had been in use for vessels and some mosaic designs prior to this, but start to dominate the blown glass market at this time. The use of strong colours in cast glass died out during this period, with colourless or 'aqua' glasses dominating the last class of cast vessels to be produced in quantity, as mould and free-blowing took over during the 1st century AD. From around 70 AD colourless glass becomes the predominant material for fine wares, and the cheaper glasses move towards pale shades of blue, green, and yellow. Debate continues whether this change in fashion indicates a change in attitude that placed glass as individual material of merit no longer required to imitate precious stones, ceramics, or metal, or whether the shift to colourless glass indicated an attempt to mimic highly prized rock crystal. Pliny's Natural History states that “the most highly valued glass is colourless and transparent, as closely as possible resembling rock crystal” (36, 192), which is thought to support this last position, as is evidence for the persistence of casting as a production technique, which produced the thickly walled vessels necessary to take the pressure of extensive cutting and polishing associated with crystal working. Vessel production techniques Core and rod formed vessels Artisans used a mass of mud and straw fixed around a metal rod to form a core, and built up a vessel by either dipping the core in liquified glass, or by trailing liquid glass over the core. The core was removed after the glass had cooled, and handles, rims and bases were then added. These vessels are characterised by relatively thick walls, bright colours and zigzagging patterns of contrasting colours, and were limited in size to small unguent or scent containers. This early technique continued in popularity during the 1st century BC, despite the earlier introduction of slumped and cast vessels. Cold-cut vessels This technique is related to the origin of glass as a substitute for gemstones . By borrowing techniques for stone and carved gems , artisans were able to produce a variety of small containers from blocks of raw glass or thick moulded blanks, including cameo glass in two or more colours, and cage cups (still thought by most scholars to have been decorated by cutting, despite some debate). Glass blowing: free and mould blown vessels These techniques, which were to dominate the Roman glass working industry after the late 1st century AD, are discussed in detail on the glass blowing page. Mould-blown glass appears in the second quarter of the 1st century AD. Frequently Asked d Questions How long until my order is shipped? Depending on the volume of sales, it may take up to 5 business days for shipment of your order after the receipt of payment. How will I know when the order was shipped? After your order has shipped, you will be left positive feedback, and that date should be used as a basis of estimating an arrival date. After you shipped the order, how long will the mail take? USPS First Class mail takes about 3-5 business days to arrive in the U.S., international shipping times cannot be estimated as they vary from country to country. I am not responsible for any USPS delivery delays, especially for an international package. What is a certificate of authenticity and what guarantees do you give that the item is authentic? Each of the items sold here, is provided with a Certificate of Authenticity, and a Lifetime Guarantee of Authenticity, issued by a world-renowned numismatic and antique expert that has identified over 10000 ancient coins and has provided them with the same guarantee. You will be quite happy with what you get with the COA; a professional presentation of the coin, with all of the relevant information and a picture of the coin you saw in the listing. Compared to other certification companies, the certificate of authenticity is a $25-50 value. So buy a coin today and own a piece of history, guaranteed. Is there a money back guarantee? I offer a 30 day unconditional money back guarantee. I stand behind my coins and would be willing to exchange your order for either store credit towards other coins, or refund, minus shipping expenses, within 30 days from the receipt of your order. My goal is to have the returning customers for a lifetime, and I am so sure in my coins, their authenticity, numismatic value and beauty, I can offer such a guarantee. Is there a number I can call you with questions about my order? You can contact me directly via ask seller a question and request my telephone number, or go to my About Me Page to get my contact information only in regards to items purchased on eBay. When should I leave feedback? Once you receive your order, please leave a positive. Please don't leave any negative feedbacks, as it happens many times that people rush to leave feedback before letting sufficient time for the order to arrive. Also, if you sent an email, make sure to check for my reply in your messages before claiming that you didn't receive a response. The matter of fact is that any issues can be resolved, as reputation is most important to me. My goal is to provide superior products and quality of service.