Size 6 3/4 Genuine Ancient Engraved Roman Bronze Ring 5th Century A.D.
CLASSIFICATION: Ancient Roman Bronze Ring with Engraved Intaglio Bezel.
ATTRIBUTION: Eastern Roman Empire (Thracia), 5th Century A.D.
SIZE/MEASUREMENTS: Fits ring size 6 3/4 (U.S.)
Bezel: 11mm (breadth) * 9mm (height).
Fixed Width 2 1/2mm Band.
Diameter: 19 1/2mm*18mm (outer diameter); 18mm*17mm (inner diameter).
Weight: 1.15 grams.
CONDITION: Superb! Completely intact. Very light wear consistent with occasional use. Very little porosity (surface pitting caused by contact with earth while buried). Professionally conserved.
DETAIL: An exceptionally well preserved bronze intaglio ring circa 1st century A.D. bearing remarkable workmanship and demonstrating the technique of reverse intaglio carving. There are several photo enlargements of the intaglio bezel below, and you can see the technique used in this remarkable and ancient art form. An intaglio ring was used to press the wearer's "seal" into lead, clay, or wax, leaving an impression created by the ring's bezel. Though oftentimes the carved intaglio seal might be in the form of a gemstone such as carnelian, carved and then mounted onto a ring; frequently the intaglio seal was created by simply carving into a metal bezel – such as is the case here. Rather than in relief, the image was created recessed, and everything had to be carved in mirror image so that when a piece of clay or wax was impressed with the seal, the image would be “right side out”.
The recessed engraving here seems to be that of one of the sailing vessels (a cargo galley) which Rome used to transport grain from Alexandria to Rome, and other commodities throughout the Mediterranean. Close examination of the metal work (see below) reveals a remarkable illustration of the technique. One of the images directly below is a very large blow-up of the bezel – which can be viewed for detail. As you can see, several holes are drilled into the material (whether it be gemstone or metal) to provide a starting point for the engravers tools. In this instance the holes also seem to serve double as part of the design as well. The carving here is neat and proficient, though it is not a “masterpiece” in miniature. Though very nice, the carving is a little clumsy when compared to some of the true museum quality intaglios which can be found, for example, in The Hermitage Museum in Saint Petersburg. Nonetheless the workmanship is very intricate, above average in quality, and the detail is sharp and well preserved.
The ring evidence very little wear – it appears as if it were used occasionally for sealing purposes but not worn extensively…or at least for many years. The indications of wear are very slight. As you can see, the ring is very basic in design, though quite handsome and durable. The band though quite ordinary and simple is well preserved and entirely intact. The artifact exhibits very little porosity, which is fine surface pitting caused by prolonged burial in caustic soil. In hand, when worn, it is almost impossible to detect any porosity. Under a jeweler’s loop (or in these photo enlargements) it is possible to make out a little porosity, the unmistakable evidence of spending millennia buried in soil. But in hand the appearance is entirely satisfactory, and the surface of the metal in good condition.
The condition of the ring is…well…pristine. There is very little wear to the ring, almost as if it was used occasionally and then put away…eventually lost. And you have to look very closely to see any of the telltale signs indicating the ring was buried for millennia. Most small artifacts such as this suffer extensive degradation from porosity caused by prolonged burial in caustic soil. This ring spent almost fifteen centuries buried, yet by good fortune there is virtually no porosity of any significance – it happened to be in very gentle soil conditions. This is an exceptional piece of Roman jewelry, a very handsome artifact, eminently wearable, and even under a jeweler's loop or magnifying glass, there is little discernable degradation due to corrosion, oxidation, porosity, except for light wear consistent with occasional usage. It is a quite remarkable artifact.
The ring was originally constructed in two pieces, band and bezel, which were then joined together by the artisan making the ring. It is the archaic and classic construction style utilized in the manufacture of ancient rings. The result is a ring which possesses classic and timeless styling. The ring has a very nice patina, a very light tone giving the appearance of ancient gold. The ring is quite sturdy and substantial, its integrity is undiminished by the passage of time, and it has been professionally conserved. There are no cracks, chips, or other impairments to its integrity. The Romans were of course very fond of ornate personal jewelry including bracelets worn both on the forearm and upper arm, brooches, pendants, hair pins, earrings intricate fibulae and belt buckles, and of course, rings. This is an exceptional piece of ancient jewelry representing the ancient art form of intaglio seals. It will bring a new owner many decades of enjoyment, and could be worn and enjoyed on a daily basis.
HISTORY: Roman cargo galleys were specifically constructed for trade, especially with Egypt, and unlike the war galleys developed during Rome’s struggles against Carthage, these cargo galleys used sail power alone to haul commodities throughout the Mediterranean.. Many of these ships reached 200 feet in length and were capable of carrying over a thousand tons of cargo. The volume of trade that the roman merchant fleet carried was larger that any other until the industrial revolution, and with regards to the Mediterranean, it was not until the nineteenth century that the Mediterranean’s ocean borne trade equaled that of the Roman Empire.
One of the most famous galley routes entailed the shipment of corn from Rome’s colonies (principally Egypt) to the city of Rome. The Mediterranean route between Alexandria and Rome was plied by relatively huge cargo galleys. These shipments were particularly significant to the citizens of Rome as each of them was entitled to an annual corn allowance. This entitled was of such political significance that the Emperor Augusts appointed a Praefectus Annonae with a large staff both in Rome was well as the provinces to ensure the supply of corn and wheat to the city.
ROMAN HISTORY: One of the greatest civilizations of recorded history was the ancient Roman Empire. In exchange for a very modest amount of contemporary currency, you can possess a small part of that great civilization in the form of a 2,000 year old ancient Roman artifact. The Roman civilization, in relative terms the greatest military power in the history of the world, was founded in the 8th century (B.C.). In the 4th Century (B.C.) the Romans were the dominant power on the Italian Peninsula, having defeated the Etruscans and Celts. In the 3rd Century (B.C.) the Romans conquered Sicily, and in the following century defeated Carthage, and controlled the Greece. Throughout the remainder of the 2nd Century (B.C.) the Roman Empire continued its gradual conquest of the Hellenistic (Greek Colonial) World by conquering Syria and Macedonia; and finally came to control Egypt in the 1st Century (B.C.)
The pinnacle of Roman power was achieved in the 1st Century (A.D.) as Rome conquered much of Britain and Western Europe. At its peak, the Roman Empire stretched from Britain in the West, throughout most of Western, Central, and Eastern Europe, and into Asia Minor. For a brief time, the era of “Pax Romana”, a time of peace and consolidation reigned. Civilian emperors were the rule, and the culture flourished with a great deal of liberty enjoyed by the average Roman Citizen. However within 200 years the Roman Empire was in a state of steady decay, attacked by Germans, Goths, and Persians. The decline was temporarily halted by third century Emperor Diocletian. In the 4th Century (A.D.) the Roman Empire was split between East and West. The Great Emperor Constantine again managed to temporarily arrest the decay of the Empire, but within a hundred years after his death the Persians captured Mesopotamia, Vandals infiltrated Gaul and Spain, and the Goths even sacked Rome itself. Most historians date the end of the Western Roman Empire to 476 (A.D.) when Emperor Romulus Augustus was deposed. However the Eastern Roman Empire (The Byzantine Empire) survived until the fall of Constantinople in 1453 A.D.
In the ancient world valuables such as coins and jewelry were commonly buried for safekeeping, and inevitably the owners would succumb to one of the many perils of the ancient world. Oftentimes the survivors of these individuals did not know where the valuables had been buried, and today, thousands of years later caches of coins and rings are still commonly uncovered throughout Europe and Asia Minor. Throughout history these treasures have been inadvertently discovered by farmers in their fields, uncovered by erosion, and the target of unsystematic searches by treasure seekers. With the introduction of metal detectors and other modern technologies to Eastern Europe in the past three or four decades, an amazing number of new finds are seeing the light of day thousands of years after they were originally hidden by their past owners. And with the liberalization of post-Soviet Eastern Europe, new markets have opened eager to share in these ancient treasures.
HISTORY OF THRACE: The indigenous population of ancient Thrace were Indo-Europeans who spoke their own language who archaeologists believe originated in the area of the Black Sea around 5,000 B.C. Thrace included areas of present day Bulgaria, Northeastern Greece, Eastern Serbia, portions of Macedonia, and portions of northwest Turkey. Divided into separate tribes, the Thracians did not form a lasting political kingdom until the Odrysian and Dacian States were founded in the early 4th century B.C. At its greatest it extended beyond the Danube to the North (Ancient Dacia and Pannonia, present day Moldova and Romania) and to Southern Russia and the Ukraine to the East. The Thracians were capable of wielding an army of 150,000, and threatened even regional powerhouse Macedonia until both were conquered by the Persians under Darius the Great.
The Thracians were to fall under the cultural influence of the ancient Greeks, though as non-Greek speakers, they were viewed by the Greeks (and subsequently the Romans) as barbarians. The Greeks founded Thracian colonies as early as the sixth century B.C. Homer’s Iliad records that the Thracians had agreed to fight on the side of the Mycenaean Greeks in the Trojan War. However according to the account the Thracians did not fulfill this promise. In the Odyssey, Odysseus and his men raided Thrace on their way back home from the war. This was to punish them for their "cowardice", as the Odyssey puts it. Many mythical figures, such as the god Dionysus, princess Europa, and the hero Orpheus were borrowed by the Greeks from their Thracian neighbors. The Thracians were described by Roman Historian Herodotus as the second most numerous of peoples, after the Indians, and potentially the most powerful, and he suggested that the extent of the lands they inhabited and controlled would have made them a vast empire, if they were united.
Thrace was to fall to the great Persian armies of Darius the Great in the late sixth century B.C., and subsequently to Alexander the Great in the fourth century B.C. Thereafter Thrace was ruled by the Macedonians until Macedonia was stripped of its territories after its third war with the Romans. After the conclusion of the “Third Macedonian War, Thrace was ruled directly by Rome as a client state. The successor of the Roman empire on the Balkans, the Byzantine (or Eastern roman) Empire retained control over Thrace until the beginning of the 9th century, after which time control of Thrace alternated between the Byzantine Empire and Bulgaria (Roman Moesia). However ultimately the Ottoman Turks conquered the region and held it for five centuries until the disintegration of the Ottoman Empire after the conclusion of World War I. Recently Bulgarian archaeologists have made monumental discoveries of Royal Thracian burials dating back to the fifth through third centuries B.C. in what has become known as Thracian Valley of the Kings.
HISTORY OF BRONZE: Bronze is the name given to a wide range of alloys of copper, typically mixed in ancient times with zinc, tin, lead, or arsenic. The discovery of bronze enabled people to create metal objects which were better than previously possible. Tools, weapons, armor, and building materials made of bronze were harder and more durable than their stone and copper predecessors from the “Chalcolithic” (the “Copper Age”), i.e., about 7000-3500 B.C., and the Neolithic (“New Stone Age”), i.e. about 12000 to 7000 B.C.). Of particular significance were bronze agricultural implements, tools for cutting stone, and weapons. Culturally significant was bronze statuary, particularly that of the Romans and Greeks. The ancient Greeks and Romans had a long history of making statuary in bronze. Literally thousands of images of gods and heroes, victorious athletes, statesmen, and philosophers filled temples and sanctuaries, and stood in the public areas of major cities. In fact, the Statue of Zeus at Olympia and the Colossus of Rhodes are two of the Seven Wonders of the Ancient World.
Initially bronze was made out of copper and arsenic. It was only later that tin was used, becoming (except in ancient Egypt) the sole type of bronze in the late 3rd millennium B.C. Tin-alloyed bronze was superior to arsenic-alloyed bronze in that the alloying process itself could more easily be controlled, the alloy was stronger and easier to cast, and unlike arsenic, tin is not toxic. Toxicity was a major factor in the production of arsenic bronze. Repeated exposure to arsenic fumes ultimately led to nerve damage in the limbs. Evidence of the long agony of Bronze Age metalsmiths came down to the ancient Greeks and Romans in the form of legend, as the Greek and Roman gods of metalsmiths, Greek Hephaestus and Roman Vulcan, were both lame. In practice historical bronze alloys are highly variable in composition, as most metalworkers probably used whatever scrap was to hand. In one instance of ancient bronze from Britain, analysis showed the bronze to contain a mixture of copper, zinc, tin, lead, nickel, iron, antimony, arsenic, and silver.
Other advantages of bronze over iron include that bronze better resists corrosion, particularly seawater corrosion; bronze resists metal fatigue better than iron; and bronze is a better heat conductor (and thus is better suited for cooking vessels). However ancient bronze, unless conserved properly, is susceptible to “bronze disease”, wherein hydrochloric or hydrosulfuric acid is formed due to impurities (cuprous chloride or sulfur) found within the ancient bronze. Traditionally archaeology has maintained that the earliest bronze was produced by the Maikop, a proto-Indo-European, proto-Celtic culture of Caucasus prehistory around 3500 B.C. Recent evidence however suggests that the smelting of bronze might be as much as several thousand years older (bronze artifacts dating from about 4500 B.C. have been unearthed in Thailand).
Shortly after the emergence of bronze technology in the Caucasus region, bronze technology emerged in ancient Mesopotamia (Sumer), Egypt, the Indus Valley Civilization of Northern India, the Aegean, the Caspian Steppes (Ukraine), the Southern Russia/Central Mongolia Region (the Altai Mountains), the Levant (Eastern Mediterranean), Anatolia (Turkey) and the Iranian Plateau. By the late third millennium B.C. many Western European Bronze Age Cultures had emerged. Some of the more notable were the Celtic cultures of Middle Europe stretching from Hungary to Poland and Germany, including the Urnfield, Lusatian, and (Iron Age Transitional) Hallstatt Cultures. The Shang in ancient China also developed a significant Bronze Age culture, noted for large bronze burial urns. The ancient Chinese were the first to cast bronze (using the “lost wax” technique) about 2200 B.C. Prior to that time all bronze items were forged. Though weapons and utilitarian items were produced in great numbers, the production of bronze in ancient China was especially noteworthy for ornamented ritualistic/religious vessels (urns, wine vessels, water pots, food containers, and musical instruments), many of immense size.
Britain’s Bronze Age cultures included the Beaker, Wessex, Deverl, and Rimbury. Copper and tin ores are rarely found together, so the production of bronze has always involved trade. Cornwall was one of the most significant sources of tin not only for Britain, but exported throughout the Mediterranean. Other significant suppliers of tine were the Taurus Mountains of Anatolia (Turkey), as well as Spain. Enormous amounts of copper was produced from the Great Orme mine in North Wales, the island of Cyprus, the European Alps, and from the Sinai Peninsula and other nearby sites in the Levant. Though much of the raw minerals may have come from Britain, Spain, Anatolia, and the Sinai, it was the Aegean world which controlled the trade in bronze. The great seafaring Minoan Empire (about 2700 to 1450 B.C.) appears to have controlled, coordinated, and defended the trade.
Tin and charcoal were imported into Cyprus, where locally mined copper was mined and alloyed with the tin from Britain. Indicative of the seafaring trade in the Eastern Mediterranean, a shipwreck from about 1300 B.C. off the Turkish coast revealed a ship carrying a ton of copper ingots, several dozen small tin ingots, new bronze tools, scrap metal, and a blacksmith's forge and tools (along with luxury trade goods from Africa). It appears that the Bronze Age collapsed with the fall of Minoan Empire, to be replaced by a Dark Age and the eventual rise of the Iron Age Myceneans (on mainland Greece). Evidence suggests that the precipitating event might have been the eruption of Thera (Santorini) and the ensuing tsunami, which was only about 40 miles north of Crete, the capital of the Minoan empire.
Some archaeologists argue that it was Santorini itself which was the capitol city of the Minoan World. However where Crete or Santorini, it is known that the bread-basket of the Minoan trading empire, the area north of the Black Sea lost population, and thereafter many Minoan colony/client-states lost large populations to extreme famines or pestilence. Inasmuch as the Minoans were the principals of the tin/copper shipping network throughout the Mediterranean, the Bronze Age trade network is believed to have failed. The end of the Bronze Age and the rise of the Iron Age is normally associated with the disturbances created by large population disruptions in the 12th century B.C. The end of the Bronze Age saw the emergence of new technologies and civilizations which included the large-scale production of iron (and limited scale production of steel).
Although iron was in many respects much inferior to bronze (and steel was inefficiently produced in very limited quantities), iron had the advantage that it could be produced using local resources during the dark ages that followed the Minoan collapse, and was very inexpensive when compared to the cost of producing bronze. Bronze was still a superior metal, resisting both corrosion and metal fatigue better than iron. And bronze was still used during the Iron Age, but for many purposes the weaker iron was sufficiently strong to serve in its place. As an example, Roman officers were equipped with bronze swords while foot soldiers had to make do with iron blades.
Pliny the Elder, the famous first century Roman historian and naturalist, wrote about the reuse of scrap bronze and copper in Roman foundries, noting that the metals were recast as armor, weapons or articles for personal use, such as bronze mirrors. The melting and recasting foundries were located at the Italian port city of Brindisi. Located on the Adriatic coast, Brindisi was the terminus of the great Appian Way, the Roman road constructed to facilitate trade and military access throughout the Italian part of the Roman Empire. The city was the gateway for Roman penetration into the eastern parts of her empire (Greece, the Eastern Mediterranean, the Black Sea Region, the Danubian Provinces, and eventually Mesopotamia).
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ABOUT US: Prior to our retirement we used to travel to Eastern Europe and Central Asia several times a year seeking antique gemstones and jewelry from the globe’s most prolific gemstone producing and cutting centers. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and Ebay goes to support worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient/antique jewelry and gemstones, a reflection of our academic backgrounds.
Though perhaps difficult to find in the USA, in Eastern Europe and Central Asia antique gemstones are commonly dismounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them originally crafted a century or more ago. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting.
Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or eBay message, so please feel free to write.