HUGE 19thC China Blue + White “Ming Style” Porcelain Jar 4 Panel Pix Daily Life

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Seller: ancientgifts ✉️ (5,288) 100%, Location: Lummi Island, Washington, US, Ships to: WORLDWIDE, Item: 122420026099 HUGE 19thC China Blue + White “Ming Style” Porcelain Jar 4 Panel Pix Daily Life. Exceptionally Well Preserved Genuine 19th Century Qing Dynasty Chinese Blue and White (“Ming”) Porcelain Jar. Perfect for a Dry Flower/Foliage Arrangement! CLASSIFICATION: Blue and White Porcelain Jar. ATTRIBUTION: Ancient China, Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 221 millimeters (8 7/8 inches) Diameter: 191 (7 2/3 inches) at belly/base; 129 millimeters (5 1/8 inches) at top lip. CONDITION: Exceptionally good, almost perfectly preserved. A little wear consistent with any household item which is over centuries old. The typical blemishes of hand production (warts and dimples, zits and pits). Not flawless, but certainly in an excellent state of preservation. DETAIL: A splendidly preserved (large) soccer-ball-sized traditional blue and white porcelain jar/vase. The depiction on the vase is fabulous, four panels depicting various scenes of daily life in 19th Century China, so wonderfully and classically characteristic of late Ming/early Qing Dynasty artwork. The glaze is entirely intact, vibrant cobalt blue, and the condition of the jar is virtually perfect. There is of course a little minor wear – we’re not saying it is as when new. But this is as good as one can reasonably expect of a jar/vase which is over a century old. Of course realistically one would expect some blemishes of a porcelain utensil of this age, and there are no surprises here except that there are so few blemishes. Despite a few minor scuffs and other indications of wear, the jar is nonetheless really exceptional. There are also of course a few production blemishes, really not of any significance or seriousness, and quite typical of hand-crafted porcelain of the late Ming/early Qing Dynasties. These are normal potter blemishes associated with hand produced ceramics production (warts and dimples, zits and pits). All of these blemishes are virtually unnoticed – but we’re playing critic in the name of full disclosure. Overall it is an exceptionally attractive piece, and extraordinarily well preserved specimen of the ancient Chinese porcelain art. If you’d like an authentic ancient blue and white porcelain jar to proudly display, you could not go wrong with this one. It is solidly shaped, nicely featured, and perfectly proportioned. Filled with freshly cut flowers or foliage (or dried for that matter), you could display this one with great pride either at work on your desk or at home. Either way, it will certainly generate a great deal of attention and without a doubt more than a little envy! HISTORY OF QING CERAMICS: The Qing (Ch’ing) Dynasty (1644-1911 A.D.) was the last imperial dynasty of China. Imperial patronage stimulated one of China's most intense periods of ceramic production, characterized by unmatched technical expertise and refinement in blue and white, monochrome, and polychrome ceramics. Colorful enamel porcelain overglazes were invented. The process of enameling was further developed, along with a nearly endless number of new shades for monochrome-glazed porcelain. An innovative new technique produced five-colored porcelains. Applying a variety of under-glaze pigments to decorative schemes of flower, landscape and figurative scenes, these five-colored porcelains gained great renown in Western Europe.In almost every major European museum, you will find either five-colored or monochromatic porcelain (in blue, red, yellow or pink) from this period. The finest export wares were produced for European markets in the 17th and 18th centuries. Perhaps the most exciting pottery was produced in small, provincial workshops. The potters here did not compete with the elaborate imperial kilns, but instead created delightful wares for local patrons. Small porcelain items such as teapots, pen rests, and water droppers were commonly found on most any gentleman's desk from China to Europe. HISTORY OF THE QING DYNASTY: For the second time in its history, China found itself ruled by outsiders when the Manchus took Beijing and overthrew the Ming Dynasty, establishing the last imperial dynasty, the Qing (1644-1911 A.D.). The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors supported Chinese literary and historical projects of enormous scope. The survival of much of China's ancient literature is attributed to these projects. However the Manchu were suspicious of Han Chinese, so the Qing Dynasty rulers took steps to ensure that the Manchus were not simply absorbed into the larger, dominant Han Chinese population. Han Chinese were prohibited from migrating into the Manchu homeland, and Manchus were forbidden to engage in trade or manual labor. Intermarriage between the two groups was forbidden. In many government positions a system of dual appointments was used--the Chinese appointee was required to do the substantive work and the Manchu to ensure Han loyalty to the Qing Dynasty. The Qing regime was determined to protect itself not only from internal rebellion but also from foreign invasion. After all of China had been subjugated, the Manchus conquered Outer Mongolia, gained control of much of Central Asia and Tibet. The Qing became the first dynasty to eliminate successfully all danger to China from across its land borders. The power of the Chinese Empire reached the highest point in its 2000-year history, and then collapsed. The collapse was partly due to internal decay, but as well due to external pressures exerted by the Western European powers. Ironically the fatal threat to the Qing Dynasty did not come overland as in the past, but by sea in the form of traders, missionaries, and soldiers of fortune from Europe. The mindset that China was in every respect superior to outside “barbarians” resulted in an inability to evaluate correctly or respond flexibly to the new challenges presented by technologically and militarily superior Western European countries. Ultimately this cultural rigidity resulted in the demise of the Qing and the collapse of the entire millennia-old framework of dynastic rule. China was literally dismembered by Western European countries who fought over the carcass like so many wild animals. Shortly after the Sino-Japanese War the Western-educated Sun Yat-sen had initiated a revolutionary movement which established a republican form of government, overthrowing the last imperial dynasty. Of course the Republic of China was in turn overthrown by the Communists after the conclusion of World War II. HISTORY OF CHINESE EARTHENWARE: The first Chinese ceramics archaeologists have found date back more than 10,000 years. These were earthenware, which means they were made from clay and fired at the kind of low temperatures reached by a wood fire or simple oven. In China, most ceramics made before the Tang dynasty (600 A.D.) are earthenware. They may be glazed or unglazed, and are occasionally painted, often brightly colored. Stoneware ceramics are harder and less porous than earthenware and are fired at hotter temperatures—between 2100°F and 2400°F. At these high temperatures, the surface of the clay melts and becomes glassy. Although stoneware is usually waterproof, most stoneware ceramics are glazed for decoration. The glazes often contain ash, which allows the glaze to harden at stoneware temperatures. During the Shang Dynasty (1600-1100 B.C.) bronze metallurgy superceded ceramics as the favored art form of the ruling class. However both the ceramic and the bronze industries evolved into complex systems of production that were supported by the aristocracy. Decorative designs rich in symbolism were created first in bronze were then imitated in clay. Chinese burial customs included the tradition of placing clay replicas of material possessions, animals and people in the tomb to accompany the deceased and serve them in the next life. Although archaeological finds have revealed that glazed pottery was produced as early as 1100 B.C. during the Zhou dynasty, the production of glazed wares was not common until about 200 B.C. during the Han Dynasty. However from about 1000 B.C. onwards during the Shang and Zhou dynasties, primitive porcelain wares emerged. Real porcelain wares appeared in the Han dynasty around 200 A.D. In the process of porcelain development, different styles in different periods blossomed. The production of porcelain became widespread by about 500 A.D. Using a special clay with ground rock containing feldspar, a glassy mineral, the material was fired at very high temperatures above 2400°F. The surface of the clay melts at such high temperatures and becomes smooth as glass. Early porcelains were undecorated and were used by the Imperial court and exported as far as the Middle East. For instance during the Han Dynasty principally celadon (green) and black porcelain were mainly produced. The famous blue and white porcelain was created with blue paint made from cobalt and then covered with a clear glaze, which can withstand the high temperatures of the kiln. The technical and creative innovations of Chinese potters are unique accomplishments in the cultural heritage of the world. Today, archaeological excavation and research in China are revealing new sites and new examples of the genius of the Chinese potter. HISTORY OF CHINESE CIVILIZATION: Remains of Homo erectus, found near Beijing, have been dated back 460,000 years. Recent archaeological studies in the Yangtse River area have provided evidence of ancient cultures (and rice cultivation) flourishing more than 11,500 years ago, contrary to the conventional belief that the Yellow River area was the cradle of the Chinese civilization. The Neolithic period flourished with a multiplicity of cultures in different regions dating back to around 5000 B.C. There is strong evidence of two so-called pottery cultures, the Yang-shao culture (3950-1700 B.C.) and the Lung-shan culture (2000-1850 B.C). Written records go back more than 3,500 years, and the written history is (as is the case with Ancient Egypt) divided into dynasties, families of kings or emperors. The voluminous records kept by the ancient Chinese provide us with knowledge into their strong sense of their real and mythological origins – as well as of their neighbors. By about 2500 B.C. the Chinese knew how to cultivate and weave silk and were trading the luxurious fabric with other nations by about 1000 B.C. The production and value of silk tell much about the advanced state of early Chinese civilization. Cultivation of silkworms required mulberry tree orchards, temperature controls and periodic feedings around the clock. More than 2,000 silkworms were required to produce one pound of silk. The Chinese also mastered spinning, dyeing and weaving silk threads into fabric. Bodies were buried with food containers and other possessions, presumably to assist the smooth passage of the dead to the next world. The relative success of ancient China can be attributed to the superiority of their ideographic written language, their technology, and their political institutions; the refinement of their artistic and intellectual creativity; and the sheer weight of their numbers. A recurrent historical theme has been the unceasing struggle of the sedentary Chinese against the threats posed by non-Chinese peoples on the margins of their territory in the north, northeast, and northwest. China saw itself surrounded on all sides by so-called barbarian peoples whose cultures were demonstrably inferior by Chinese standards. This China-centered ("sinocentric") view of the world was still undisturbed in the nineteenth century, at the time of the first serious confrontation with the West. Of course the ancient Chinese showed a remarkable ability to absorb the people of surrounding areas into their own civilization. The process of assimilation continued over the centuries through conquest and colonization until what is now known as China Proper was brought under unified rule. SHIPPING & RETURNS/REFUNDS: Due to its fragile nature this particular piece is only shipped in an oversized box with lots of Styrofoam peanuts. The shipping weight of this item is 8 pounds. Additional items shipped together do result in a discount. We can add most other items we offer to the shipment for only $0.99 each. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. All of our shipments are fully insured against loss, and our shipping rates include the cost of this coverage (through stamps.com, Shipsaver.com, the USPS, UPS, or Fed-Ex). International tracking is provided free by the USPS for certain countries, other countries are at additional cost. We do offer U.S. Postal Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. Please note for international purchasers we will do everything we can to minimize your liability for VAT and/or duties. But we cannot assume any responsibility or liability for whatever taxes or duties may be levied on your purchase by the country of your residence. If you don’t like the tax and duty schemes your government imposes, please complain to them. We have no ability to influence or moderate your country’s tax/duty schemes. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked 30-day return policy. Send it back, I will give you a complete refund of the purchase price; 1) less our original shipping/insurance costs, 2) less non-refundable eBay payment processing fees. Please note that eBay does NOT refund payment processing fees. Even if you “accidentally” purchase something and then cancel the purchase before it is shipped, eBay will not refund their processing fees. So all refunds for any reason, without exception, do not include eBay payment processing fees (typically between 5% and 15%) and shipping/insurance costs (if any). If you’re unhappy with eBay’s “no fee refund” policy, and we are EXTREMELY unhappy, please voice your displeasure by contacting eBay. We have no ability to influence, modify or waive eBay policies. ABOUT US: Prior to our retirement we used to travel to Europe and Central Asia several times a year. Most of the items we offer came from acquisitions we made in Eastern Europe, India, and from the Levant (Eastern Mediterranean/Near East) during these years from various institutions and dealers. Much of what we generate on Etsy, Amazon and Ebay goes to support The Hermitage Museum in St. Petersburg, as well as some other worthy institutions in Europe and Asia connected with Anthropology and Archaeology. Though we have a collection of ancient coins numbering in the tens of thousands, our primary interests are ancient jewelry and gemstones. Prior to our retirement we traveled to Russia every year seeking antique gemstones and jewelry from one of the globe’s most prolific gemstone producing and cutting centers, the area between Chelyabinsk and Yekaterinburg, Russia. From all corners of Siberia, as well as from India, Ceylon, Burma and Siam, gemstones have for centuries gone to Yekaterinburg where they have been cut and incorporated into the fabulous jewelry for which the Czars and the royal families of Europe were famous for. My wife grew up and received a university education in the Southern Urals of Russia, just a few hours away from the mountains of Siberia, where alexandrite, diamond, emerald, sapphire, chrysoberyl, topaz, demantoid garnet, and many other rare and precious gemstones are produced. Though perhaps difficult to find in the USA, antique gemstones are commonly unmounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them centuries old. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting. Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from us. There is a $3 fee for mailing under separate cover. I will always respond to every inquiry whether via email or eBay message, so please feel free to write. Condition: Qing Dynasty Chinese Blue and White (“Ming”) Porcelain Jar

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