Handcrafted S. Dakota Black Hills 12kt Gold Antique Handcut Russian Alexandrite

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Seller: ancientgifts (4,633) 100%, Location: Lummi Island, Washington, Ships to: Worldwide, Item: 123368677835 When ordering from the US, parcels may be subject to import tax and duty charges, which the buyer is responsible to pay. Genuine Handcrafted “South Dakota Black Hills” Solid Gold Ring Featuring Red and Green Colored 12kt Gold Leaves and a Genuine 19th Century Antique Handcrafted Russian Alexandrite. Size 6 (resizing available) Not cheap gold electroplate! This is a high-quality, handcrafted ring. The ring itself is 10kt solid gold, the handcrafted leaves are 12kt solid gold. The alexandrite gemstone was handcut in or near Yekaterinburg, Russia, in the late nineteen century. Alexandrite Dimensions: 2mm round. Approximately 0.05 carats. NOTE: Resizing is available (may incur nominal extra cost depending on size required). We have other similar alexandrite gemstones offered in many other various settings (and unmounted gemstones as well). See our eBay store for the entire selection. Search for "alexandrite" in item titles. DESCRIPTION: Here’s a gorgeous, high quality 10/12kt solid gold ring. Please do not confuse this with cheap gold electroplate. This is a high-quality, hand-made ring, crafted right here in the USA, and constructed to last a lifetime. The ring itself is constructed of 10kt solid gold, while the handmade red and green colored leaves are constructed of solid 12kt gold. This style of handcrafted multi-colored gold jewelry originated in the Black Hills of South Dakota. The leaf, rose (and frequently grape) designs incorporated into this style of gold jewelry was inspired by wild grape vines and wild roses that flourish in the region. You might note that each leaf is accented with a single “grape”. Set into the center of the ring, between the two leaves, is a very nice quality antique, handcrafted Russian alexandrite. This natural gemstone from the Ural Mountains of Russia was hand crafted and faceted by a 19th century Russian artisan, part of an heritage renown for the production of the elaborate gemstones and jewelry of the Czars of Medieval, Renaissance, and Victorian Russia. As you can see in these photo enlargements, the gemstone is absolutely clean to the unaided eye. Even in the accompanying photo enlargements it is very difficult to discern the very minor blemishes that the gemstone possesses. It may be confidently described as “eye clean”. The gemstone is green, when it is so inclined, at least. The color under most lighting conditions is the classic alexandrite green, reminiscent of both peridot and emerald. However under strong white light, the stone magically transforms itself into a hue ranging from a bright rose-peach to a saturated blue-violet. No matter what light source we used to image this gemstone, whether scanner or camera, it turned color. In hand, under most lighting conditions, it is most assuredly green. But the charm of these remarkable gemstones, at least in the higher qualities, is the dramatic color change they are capable of. And true to its reputation, the light of the scanner turned this precious gemstone rose-peach, a decent digital camera showed the color as blue-violet. All of these pictures are of the same gemstone! The color depends upon the light source (color spectrum) and intensity/brightness. This remarkable gemstone is capable of all of those colors, a true chameleon, quite an extraordinary precious gemstone. The green images were produced using a filter which suppresses the normal color change so as to produce an image of matching color (to show you the normal color of the gemstone). But the remaining images which were produced with a high definition scanner and a high quality Nikon digital camera give more detail and show you what the gemstone looks like when “fully illuminated”. This fascinating and sumptuous gemstone was hand crafted into this sparkling faceted round in 19th century Russia, the fabled land of the incredibly sophisticated, sumptuous gemstones and jewelry of the Czars. It is a gorgeous gemstone, full of fire and sparkle, vibrant, and possessing good clarity and color. For those who do not know, alexandrite was only produced for about fifteen years during Czarist (Imperial Russia), in the nineteenth century, before the only known mine of any significance played out. For over a hundred years the sole source of alexandrite was "recycled" Russian jewelry. Russian alexandrite is still considered to be the world's best, though very small deposits of inferior alexandrite have been found outside of the Ural Mountains in recent years. Given the rarity of the gemstone, and the enormous demand, reasonably good specimens are hard to find. Flawless or near flawless specimens of any significant size have almost resulted in duels between buyers vying for the privilege of being a selected purchaser. As might be expected under magnification the gemstone shows the unmistakable, hallmark characteristics of having been hand crafted. The coarseness of the antique, handcrafted finish is considered desirable to most gemstone aficionados, and is not considered a detriment, or detract from the value of a gemstone. These characteristics are not only expected of hand-finished gemstones, many believe that such antique hand-crafted gemstones possess much greater character and appeal than today's mass-produced, laser-cut gemstones. Unlike today’s computer controlled machine produced gemstones that approach flawlessness in a perfect finish, the cut and finish of an antique, handcrafted gemstone such as this is the legacy of an artisan who lived two centuries ago. Handcrafted though it may be the gemstone has great luster and sparkle, and to the eye is completely transparent, but it is not absolutely flawless. True, the blemishes it possesses are virtually invisible to the naked eye, and the gemstone can be characterized, to use trade jargon, as "eye clean". To the view of the casual admirer the gemstone is seemingly without blemish. However magnified as it is here in the accompanying photo enlargements, you might be able to detect a few slight blemishes within the stone. Of course much the same may said about almost any natural gemstone. An absolutely flawless gemstone simply is not the rule in nature. Most absolutely flawless gemstones will upon close examination be revealed to be synthetic, as perfect gemstones are the realm of laboratory-produced gemstones, not Mother Nature. You might also notice under magnification occasional irregularities in the cut and finish. Of course, these characteristics are not only expected of hand-finished gemstones, you must also consider that two centuries ago the mining techniques even possible then, let alone in practice, did not allow the ultra deep mining operations which are so commonplace today. Keep in mind two centuries ago mankind was more or less limited to surface deposits or near surface deposits of gemstones. Higher quality gemstones which today are routinely mined from beneath hundreds of meters, even kilometers beneath the earth's surface, were simply inaccessible then. It is precisely for these reasons antique gemstones must be appreciated as antiques first, gemstones second. The relatively superlative quality of contemporary gemstones routinely mined from deep beneath the earth's surface today were simply not accessible two centuries ago, or at least, only rarely so. However for most, the unique nature and character of these antique gemstones more than makes up for the blemishes found within the gemstones, as well as the cutting irregularities common to handcrafted gemstones, all of which are by and large (if at all) are only visible under magnification. ALEXANDRITE HISTORY: Alexandrite is known as a "color change" gemstone. It is emerald green in daylight or under fluorescent lighting, and a purplish red or blue under incandescent lighting, candlelight, or twilight. It belongs to the chrysoberyl family of gems, and one of the most extraordinary types is a cats-eye variety of alexandrite, possessing a remarkably prominent "cat's eye". Most sources credit the discovery of this very unique gemstone to the year 1830 on the birthday of Prince (and ultimately Czar) Alexander II in the Ural Mountains of Russia, near the city of Ekaterinburg. In celebration of Prince Alexander's coming-of-age, this remarkable gemstone was named after him. Alexandrite was popular in Imperial Russia both with the royal family and the wealthy elite, both because of its association with the Czar, and because red and green were the colors of the Russian Empire (and its flag). However this most rare stone did not bring to Alexander the good fortune it is now generally associated with. Upon ascending to the throne of Russia, Alexander II began long-awaited reforms, including abolishing serfdom, a deed that earned him the name of “The Liberator”. But a terrorist’s bomb ended his life. In memoriam of the monarch who passed away so prematurely, many people in Russia started to wear alexandrite jewelry. It was considered to be the symbol of loyalty to the throne and compassion towards the victims of the revolutionary terror, but at the same time, it said a lot about the owner’s fortune and social position. Even in those times, it was quite difficult to buy an alexandrite ring. According to Leskov, “there were people who made quite an effort to find an alexandrite, and more often, they failed than succeeded.” Alexandrite is well known to be an extremely scarce and very costly gem. The quality of color change with different illumination is the primary basis for its quality and price. According to the Gemstone Institute of America (“GIA”), no more than one person out of 100,000 has ever seen a natural alexandrite gemstone, although synthetic alexandrite is common and widely available. It is likely that if you read the fine print of 99% of the Alexandrite offered at retail jewelers, you will find it to be "laboratory produced" - synthetic. If there is a huge color change from a very intense green to a very intense red/purple, you can be 99.9% sure that both the color change and the gemstone itself is synthetic. The shift in color of natural gemstones is generally much more subtle. Kind of like the difference in taste between fruit juice and Kool-Aide. One is subtle and natural, the other brassy and synthetic. However even as an artificially grown stone, alexandrite often commands a retail price of $300.00 to $500.00 per carat. Of course, alexandrite can be found in Russian jewelry of the imperial era, as it was well loved by the Russian master jewelers. Master gemologist George Kunz of Tiffany was a fan of alexandrite, and the company produced many rings featuring fine alexandrite in the late nineteenth and early twentieth century, including some set in platinum from the twenties. Some Victorian jewelry from England featured sets of small alexandrite. However the original source in Russia's Ural Mountains has long since closed after producing for only a few decades, and only a few stones can be found on the Russian market today. In the past few decades some very small deposits of alexandrite have been discovered in Brazil, Sri Lanka, Zimbabwe, Tanzania, India, and Mozambique. However the Brazilian gemstones tend to have washed out colors when cut, and the African and Celanese sources produce very dark, not brightly colored gemstones. The alexandrite from India tends to be very low quality, with limited color change. The cut alexandrite originating from Russia is usually "harvested" from vintage jewelry. For over a century this source of "recycled" gemstones from Russia was the only source of Alexandrite, and for many years, alexandrite was almost impossible to find because there was so little available. Russian Alexandrite remains elusive. A few specimens are still found from time-to-time in the Ural Mountains of Russia, and are sometimes available as an unset stone, but it is extremely rare in fine qualities. Stones over 5 carats are almost unknown, though the Smithsonian in Washington D.C., owns a 66 carat specimen, which is believed to be the largest cut alexandrite in existence. The colors within alexandrite are due to trace amounts of the mineral impurities iron, titanium, and chromium (and rarely vanadium is also present). As is the case with emerald, the chromium element both giveth and taketh away. While chromium is responsible both for the green color as well as the color change characteristics of alexandrite, chromium also causes alexandrite (like emerald and ruby) to be characterized by fissures and fractures within the gemstone. Just as emerald is treated under high pressure with oil, in recent years newly-mined alexandrite has oftentimes similarly treated under high pressure with a fluxing agent such as resin, wax, or borax. The tiny crevasses and fractures are then filled with this material under high pressure, and the treatment is generally very difficult to detect outside of the laboratory. However whereas emerald (and ruby) are routinely treated, alexandrite is only occasionally (and only recently) afforded such treatment. The treatment is a recent development, and was not used on gemstones produced in the nineteenth century. In Russia alexandrite is thought to bring luck, good fortune and love, and also to allow the wearer to foresee danger. It is also believed to encourage romance, and to strengthen intuition, creativity, and imagination. Alexandrite is also believed to be beneficial in the treatment of leukemia. On the metaphysical plane, alexandrite is believed useful in reinforcing one's self esteem and balancing positive and negative energy. HISTORY OF GOLD: From the earliest of times, gold was often held in awe as the symbol of divinity and was therefore the material of choice for religious objects. Gold was among the first metals to be mined because it commonly occurs in pure form (not combined with other elements), because it is beautiful and imperishable, and because exquisite objects can be made from it. Since gold is found uncombined in nature, early goldsmiths would collect small nuggets of gold from stream beds etc., and then weld them together by hammering. It was oftentimes discovered alloyed with 10%-20% silver, the mixture known as “electrum”. Gold was "discovered" well before 6,000 B.C., most likely in Mesopotamia, though some of the oldest gold objects made by mankind were discovered by archaeologists in present-day Bulgaria (ancient Thrace) and in the Balkans, such as at the Varna Necropolis. In ancient Egypt all gold was the property of the pharaoh. Artifacts and jewelry of gold over 5,000 years old have been uncovered by archaeologists in Egyptian tombs. Around 3,600 B.C. Egyptian goldsmiths carried out the first smelting of ores using blowpipes made from fire-resistant clay to heat the smelting furnace. Ancient Egyptian hieroglyphs describe gold as the brilliance of the sun. In the Near East, by 2,500 B.C., Sumerian goldsmiths were using sophisticated metalworking techniques; cold hammering, casting, soldering, cloisonné, and particularly filigree (fine-wire ornamentation) and granulation (the use of minute drops of gold). The tomb of the Sumerian Queen Puabi, from the city of Ur in about the 26th century B.C., was one of the richest tombs ever uncovered by archaeologists. Queen Puabi was buried with five soldiers and thirteen "ladies in waiting" who had apparently poisoned themselves (or been poisoned) to serve their mistress in the next world. The grave goods she was buried with included a magnificent, heavy, gold headdress made of golden leaves, rings, and plates; a superb lyre complete with a gold and lapis-lazuli encrusted bearded bulls head; a profusion of gold tablewear; cylindrical beads of gold, carnelian, and lapis lazuli woven into extravagant necklaces and belts; a chariot adorned with lioness' heads in silver, and an abundance of silver, lapis lazuli, and gold rings and bracelets. Another of the most famous tombs uncovered by archaeologists was that of 14th century B.C. Tutankhamun. The pharaohs of Egypt insisted on being buried in gold, which they believed was the "flesh of the gods." The boy-king Tutankhamun was enshrined in three gold coffins. The third and final coffin was made of 243 pounds (110 kilograms) of solid gold. As well, gold artifacts and jewelry abounded, including the solid gold mask which weighed 10 kilos (24 pounds). It’s worth noting that Tutankhamun was a minor, almost unknown and forgotten pharaoh. One can only imagine the wealth of gold some of ancient Egypt’s more significant pharaohs (such as Ramses the Great) must have been buried with. The art of fashioning gold jewelry reached the Mediterranean island of Crete (the ancient Minoans) about 2400 B.C. Diadems, hair ornaments, beads, bracelets, and complex chains have been found in Minoan tombs. Near Eastern techniques of filigree and granulation were introduced to Crete about 2000 B.C., and evidence also indicates that Egyptian styles influenced Minoan jewelry. Minoan culture and its jewelry styles spread to the mainland of Greece, then dominated by the city-state of Mycenea, about 1550 B.C. The graves of nobles at the ancient Citadel of Mycenae discovered by Heinrich Schliemann in 1876 likewise yielded a great variety of gold figurines, masks, cups, diadems, and jewelry, plus hundreds of decorated beads and buttons. These elegant works of art were created by skilled craftsmen more than 3,500 years ago. Metalworking techniques reached northern Europe by about 2000 B.C., and the earliest jewelry found there dates from between 1800 and 1400 B.C. These artifacts include lunulae (spectacular, crescent-shaped neck ornaments of beaten gold), most of which were found in graves in Ireland, where gold was once plentiful. There is evidence that the Celtic and early British people were trading with the Eastern Mediterranean races by this time, exchanging gold for faience beads. By 1200 B.C. jewelry making was flourishing in Central and Western Europe, where bronze as well as gold was frequently used to make jewelry, and the spiral was the most common motif of decoration. The fibula-brooch seems to have been invented at about this time. Twisted gold torcs, modeled on Scandinavian bronze prototypes, were made in the British Isles and northern France from the fifth to the first century B.C. These massive circlets for the necks and arms were the characteristic ornaments of the chiefs of the Celtic race, and were symbols of wealth, power and courage across Celtic Europe. Celtic craftsmen also used enamel and inlay to decorate jewelry. By the seventh century B.C. the Etruscans of Central Italy were also making fine gold jewelry. These people may have migrated from Anatolia (present-day Turkey), from where their metalworking skills seem to have been derived. The Etruscans brought to perfection the difficult technique of granulation, whereby the surface of the metal is covered with tiny gold grains. Gold was plentiful in Greece during the Hellenistic Age (323-30 B.C.), and Greek jewelry of this period is characterized by its great variety of forms and fine workmanship. Naturalistic wreaths and diadems were made for the head, and a variety of miniature human, animal, and plant forms were made up into necklaces and earrings. The so-called Heracles-knot, of amuletic origin, was introduced, and remained a popular motif into Roman times. The ancient Mediterranean civilizations appear to have obtained most their supplies of gold from various deposits in the Middle East, as well as gold which came through the Middle East from Southern Africa, and perhaps a minor amount from the Ural Mountains of present-day Russia. Mines in the region of the Upper Nile (south of Egypt) near the Red Sea and in the Nubian Desert area supplied much of the gold used by the Egyptian Pharaohs (the area was known to the ancient Egyptians as “Punt”, and to the ancient Christians as “Sheba” or “Saba”). When these mines could no longer meet Egypt’s demand for gold, deposits elsewhere were exploited, likely including deposits thousands of miles away in Southern Africa. Archaeological evidence indicates that most of the gold in Ancient Egypt and even in the ancient Mediterranean from perhaps 1700 B.C. onwards came from the Himyarites in present-day Yemen (across the Red Sea from Nubia), who in addition to exploiting their own deposits, may in turn have obtained much of the gold they exported to the ancient Egyptians from present day Rhodesia/Zimbabwe. In fact the Himyarites likely controlled most of the east coast of Africa, including Rhodesia/Zimbabwe, and is most likely the area referred to as Monomotapa in ancient texts (known also as the Biblical city of Ophir, from which the Bible records that King Solomon received shipments of gold, silver, ivory, gemstones, and peacocks). Artisans in Mesopotamia and Palestine probably obtained their supplies either directly from the Himyarites or indirectly through (middleman) Egypt. As well, recent studies of the ancient mines in the present Kingdom of Saudi Arabia (directly to the north of Yemen) reveal that gold, silver, and copper were recovered from the Red Sea region, across the Red Sea from the Nubian deposits, during the reign of King Solomon (961-922 B.C.). Around 1500 B.C. artisans of the ancient world developed the “lost wax” method of producing jewelry, allowing for the “mass production” of gold jewelry. At the same time, gold had already become the recognized medium of exchange for international trade. The sixth century B.C. saw the first use of gold in dentistry by the ancient Egyptians, and the introduction of the first gold coinage in Asia Minor by King Croesus of Lydia. By this time, much of the gold in the Classical Mediterranean cultures came from Spain, where extensive deposits of gold and silver were mined and then acquired by the ancient Phoenicians in trade, and then brought from the Western Mediterranean and traded through the ancient Mediterranean world. Eventually the Phoenician colony of Carthage became the leading power of the Eastern Mediterranean, and gained control over these valuable Spanish deposits. In turn the Carthaginians engaged the Romans in three wars before Spain was lost to the Romans. Spanish gold and silver to a great extent allowed the Romans to expand their empire. The “other” great power of the Classical Mediterranean were the Hellenic Greeks, who by 325 B.C. were mining gold from Gibraltar to Asia Minor. When the gold in Spain began to play out, the Romans turned their attention toward the gold mines in Dacia (modern Romania). The Dacians had historically traded this gold to the Greeks for pottery and to the Scythians for amber. About 100 A.D. the Roman Emperor Trajan conquered Dacia, mainly in order to gain control of these gold mines. The Romans also exploited smaller gold deposits found in the British Isles. The Romans used very sophisticated extraction and mining techniques as detailed by the first-century historian and naturalist Pliny the Elder. The Romans were also the first to mass-produce coinage on a monumental scale, the first truly monetized society. Between the second and fourth centuries A.D., the Romans produced millions of gold aureus coins, and billions of silver and bronze coins. At the height of the Roman Empire, there were over 400 mints producing coinage in locations scattered through their dominion. Gold was fashioned into Greek style jewelry during the early Roman Empire, when the chief centers of production were Alexandria, Antioch, and Rome, to which Greek craftsmen had migrated. There was an increasing emphasis in producing gold jewelry on incorporating decorative stones; at first garnets, chalcedonies, and carnelians, but later uncut but polished hard gemstones such as diamonds, sapphires, and, notably, emeralds from “Cleopatra’s Mines” in Egypt. Colorful gemstone jewelry was common during the Early Middle Ages in the centuries immediately following the collapse of the Roman Empire. Mediterranean goldsmiths continued to produce jewelry of great refinement, but the jewelry of the European Celtic tribes dominated this period. They produced abstract styles of great splendor which were worked in enamels and inlaid stones. The fibula-brooch reached extremes of size and elaboration. During the High Middle Ages the technique of cloisonné enameling on gold was widespread, the finest pieces emanating from the workshops at Constantinople, the capital of the Byzantine Empire. After the creation of Charlemagne's empire in 800 A.D. and the Holy Roman Empire in 962 A.D., a fusion of northern and Mediterranean cultures occurred. The principal patrons of the arts became the emperor and the church, and jewelers worked in courts and monasteries. Jewelry design was based on the setting in gold of precious stones and pearls in colorful patterns. Gold was used widely for crosses, altars, doors, chalices, and reliquaries. This association with divinity naturally developed into an association with royalty. Even in modern times the accoutrements of royalty are predominantly gold. However there was a critical shortage of gold which developed in the High Middle Ages. During the years 1370-1420 A.D. as various major mines around Europe become completely exhausted. Mining and production of gold declined sharply throughout the region in a period known as 'The Great Bullion Famine'. However by about 1433 A.D. this spurred the Portuguese to start sailing to Ghana in Western Africa and thus enabling them to trade for gold without having to cross the Sahara Desert into Muslim northern Africa. By 1471 A.D., the Portuguese were even calling West Africa the "Gold Coast", and a reliable source of gold was again available to Western Europe. In the “New World”, archaeologists believe that the gold in the Aztec and Inca treasuries of Mexico and Peru came from Colombia, although some undoubtedly was obtained from other sources. The Aztecs regarded gold as literally the product of the gods, calling it "god excrement". The Conquistadores plundered the treasuries of these civilizations during their explorations of the New World, and many gold and silver objects were melted and re-cast into coins and bars, destroying the priceless artifacts of these MesoAmerican cultures. Gold is widely dispersed through the earth's crust (and even in seawater) and is found in two types of deposits; lode deposits, which are found in solid rock and are mined using conventional mining techniques, and placer deposits which are gravelly deposits found in stream beds and are the products of eroding lode deposits. The largest gold nugget ever found was in 19th century Australia weighing over 70 kilograms (150 pounds). Gold is quite unique in its malleability. No other metal compares with it. A single ounce can be stretched into a wire 60 kilometers long (40 miles), or pounded into a sheet of 300 square feet (the size of two typical suburban bedrooms). Because of its chemical inertness, gold retains its brilliant color even after centuries of exposure to corrosive elements. The most workable of all metals, gold has been forged, chased, embossed, engraved, inlayed, cast, and in the form of gold leaf, used to gild metals, woods, leather, and parchment. Gold wire has found wide uses in brocades and ornamentation of other materials. Throughout at least five millennia of restringsd history it has been used to fashion sculpture, vessels, jewelry, ornamentation, and coinage. Throughout the history of the ancient world, gemstones were believed capable of curing illness, possessed of valuable metaphysical properties, and to provide protection. Found in Egypt dated 1500 B. C., the "Papyrus Ebers" offered one of most complete therapeutic manuscripts containing prescriptions using gemstones and minerals. Gemstones were not only valued for their medicinal and protective properties, but also for educational and spiritual enhancement. In the ancient world, gold was regarded to symbolize power, strength, wealth, warmth, happiness, love, hope, optimism, intelligence, perfection, summer, harvest and the sun. Gold was also believed to possess curative and “magical” properties. During justice, balance, the Middle Ages it was believed that something as rare and beautiful as gold could not be anything but healthy, so gold was regarded as beneficial for health and was not only worn but also ingested. In fact, some gold salts do have anti-inflammatory properties, and in modern times, injectable gold has been proven to help to reduce the pain and swelling of rheumatoid arthritis and tuberculosis. The isotope gold-198 is also used in some cancer treatments and for treating other diseases. Gold flake was used by the nobility in Medieval Europe as a decoration in food and drinks, in the form of leaf, flakes or dust, either to demonstrate the host's wealth or in the belief that something that valuable and rare must be beneficial for one's health. Even today gold leaf, flake or dust is used on and in some gourmet foods, notably sweets (particularly in India and the Middle East) and drinks as decorative ingredient. Domestic shipping (insured first class mail) is included in the price shown. Domestic shipping also includes USPS Delivery Confirmation (you might be able to update the status of your shipment on-line at the USPS Web Site). Canadian shipments are an extra $16.99 for Insured Air Mail; International shipments are an extra $20.99 for Air Mail (and generally are NOT tracked; trackable shipments are EXTRA). ADDITIONAL PURCHASES do receive a VERY LARGE discount, typically about $5 per item so as to reward you for the economies of combined shipping/insurance costs. Your purchase will ordinarily be shipped within 48 hours of payment. We package as well as anyone in the business, with lots of protective padding and containers. We do NOT recommend uninsured shipments, and expressly disclaim any responsibility for the loss of an uninsured shipment. Unfortunately the contents of parcels are easily “lost” or misdelivered by postal employees – even in the USA. If you intend to pay via PayPal, please be aware that PayPal Protection Policies REQUIRE insured, trackable shipments, which is INCLUDED in our price. International tracking is at additional cost. We do offer U.S. Service Priority Mail, Registered Mail, and Express Mail for both international and domestic shipments, as well United Parcel Service (UPS) and Federal Express (Fed-Ex). Please ask for a rate quotation. We will accept whatever payment method you are most comfortable with. If upon receipt of the item you are disappointed for any reason whatever, I offer a no questions asked return policy. Send it back, I will give you a complete refund of the purchase price (less our original shipping costs). We travel to Russia each year seeking antique gemstones and jewelry from one of the globe’s most prolific gemstone producing and cutting centers, the area between Chelyabinsk and Yekaterinburg, Russia. From all corners of Siberia, as well as from India, Ceylon, Burma and Siam, gemstones have for centuries gone to Yekaterinburg where they have been cut and incorporated into the fabulous jewelry for which the Czars and the royal families of Europe were famous for. My wife grew up and received a university education in the Southern Urals of Russia, just a few hours away from the mountains of Siberia, where alexandrite, diamond, emerald, sapphire, chrysoberyl, topaz, demantoid garnet, and many other rare and precious gemstones are produced. Though perhaps difficult to find in the USA, antique gemstones are commonly unmounted from old, broken settings – the gold reused – the gemstones recut and reset. Before these gorgeous antique gemstones are recut, we try to acquire the best of them in their original, antique, hand-finished state – most of them centuries old. We believe that the work created by these long-gone master artisans is worth protecting and preserving rather than destroying this heritage of antique gemstones by recutting the original work out of existence. That by preserving their work, in a sense, we are preserving their lives and the legacy they left for modern times. Far better to appreciate their craft than to destroy it with modern cutting. Not everyone agrees – fully 95% or more of the antique gemstones which come into these marketplaces are recut, and the heritage of the past lost. But if you agree with us that the past is worth protecting, and that past lives and the produce of those lives still matters today, consider buying an antique, hand cut, natural gemstone rather than one of the mass-produced machine cut (often synthetic or “lab produced”) gemstones which dominate the market today. Our interest in the fabulous history of Russian gemstones and the fabulous jewelry of the Czar’s led to further education and contacts in India, Ceylon, and Siam, other ancient centers of gemstone production and finishing. We have a number of “helpers” (family members, friends, and colleagues) in Russia and in India who act as eyes and ears for us year-round, and in reciprocity we donate a portion of our revenues to support educational institutions in Russia and India. Occasionally while in Russia, India, Siam, and Ceylon we will also find such good buys on unique contemporary gemstones and jewelry that we will purchase a few pieces to offer to our customers here in America. These are always offered clearly labeled as contemporary, and not antiques – just to avoid confusion. We can set most any antique gemstone you purchase from us in your choice of styles and metals ranging from rings to pendants to earrings and bracelets; in sterling silver, 14kt solid gold, and 14kt gold fill. When you purchase from us, you can count on quick shipping and careful, secure packaging. We would be happy to provide you with a certificate/guarantee of authenticity for any item you purchase from me. There is a $2 fee for mailing under separate cover. Please see our "ADDITIONAL TERMS OF SALE." TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Width 2mm Shape Round Length 2mm Cat's Eye? No Condition: New without tags, Shape: Round, Width: 2mm, Length: 2mm, Cat's Eye?: No, Natural/Lab-Created: Natural

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