Namikawa Yasuyuki and Japanese Cloisonne Exhibition Catalog art book 2017

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並河靖之七宝Namikawa Yasuyuki and Japanese Cloisonne Tokyo Metropolitan Teien Art Museum Exhibiton catalog
Description
Number of Pages:247 Number of Works:140 Publication:2017 Language:Japanese Columns and List of works are written in English. Size:Height 29.7cm x Width 2cm x Length 19.2cm This book is the exhibition catalog, "並河靖之七宝Namikawa Yasuyuki and Japanese Cloisonne -The Allure of Meiji Cloisonne: The Aesthetic of Translucent Black" held at Tokyo Metropolitan Teien Art Museum, Japan in 2017. During the Meiji period (1868-1912), cloisonné was a popular export. The exquisitely delicate cloisonné created by Namikawa Yasuyuki (1845-1927) brought that art to its peak. This retrospective exhibition, ninety years after Namikawa’s death, brings together in one setting, for the first time, the complete range of his work, from his early period to his later years. Namikawa was born into a samurai family in Kyoto. He served Prince Kuni Asahiko, and, after the Meiji Restoration, began producing cloisonné. Proceeding by trial and error, since he lacked formal training and reference materials, he worked to improve his techniques and designs. That effort bore fruit in recognition at exhibitions in Japan and abroad. Discerning visitors from other countries flocked to his workshop, and newspapers and magazines spread word of the “Kyoto Namikawa” brand overseas. In 1896, Namikawa was appointed Imperial Craftsman to the court to the Emperor Meiji, an honor that established his position as one of the most eminent craftsmen of his day. Then, however, the volume of production by the cloisonné industry as a whole slumped early in the Taisho era (1912-1926). Namikawa closed his workshop, and his name was gradually forgotten. In recent years, however, growing interest in Meiji-era craft arts has led to increasing notice given to Namikawa. Detailed lines, rich colors, traditional seasonal motifs, and brilliantly polished translucent black enamel—Namikawa cloisonné incorporates both superlative technique and a sophisticated aesthetic sensibility. Its glow enthralls, as it has for over a century. To provide a complete portrait of Namikawa’s art, this exhibition includes sketches and other materials as well as finished works from both Japan and abroad.
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